Sixty miles south of Seattle, in Washington’s sleepy capital city of Olympia, a 22-year-old Phil Elverum sits surrounded by microphones in a warehouse that once housed a knitting mill.Wires stretch between amplifiers, instruments, and two different analog tape machines in a space so large that Elverum uses a skateboard to…
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20 Years of The Microphones’ The Glow Pt. 2, An Aural Tapestry of Sound Art and Avant-Folk
Bryan C. Parker