Halseyâs headline performance at Reading 2022 gets off to a pretty powerful start. Opening with the almighty âNightmareâ, the artistâs searing rendition is accompanied by visuals highlighting the battle for reproductive and abortion rights in the US. As we reach the culmination of the second verse, thereâs joint moment of catharsis as Halsey â and the thousands of revellers gathered â scream out: âIâm tired and angry, but somebody should beâ. Damn right.
After battling food poisoning at Leeds Festival on Friday (âMan, I was fucked up and not in a good way,â they tell Reading today) Halsey announces, âThat means Iâm coming here tonight with all the energy that I had originally planned for two nights, Iâm bringing it for oneâ. Itâs a promise she more than delivers on. In a careening gig fuelled by pyro and visceral visuals, attention is never drawn from a magnetic Halsey â an effortlessly ferocious ringleader.
The grittier, alt-rock sonic palette used on their 2021, Trent Reznor and Atticus Ross assisted record ‘If I Can’t Have Love, I Want Power’, feels right at home on the stages of Reading & Leeds. âEasier Than Lyingâ (accompanied by images of eyeballs and gore that could make the most hard-stomached feel woozy) dominates, while a moody outing of âThe Lighthouseâ â which sees Halsey don a bass guitar to let rip during the hulking outro â sounds and feels like electricity.
âIâm so fucking grateful I get to tour this album here this year,â they tell the audience, before paying tribute to the wild nature of British fans. âThatâs what makes it so fun, I get on stage, and I know that a show here is 50 per cent me and 50 per cent you… You guys are alive, youâre a part of it”. Going on to explain how life has changed for her in the past year having had a baby, the response is one thatâs typically Reading & Leeds: âAre people screaming MILF?â
âWow, I canât wait for that BBC headline tomorrow,â they go on, before putting on their best newsreader voice: ââHalsey graces Reading Stage to chants of MILF from the audienceââ.
Among the boisterous banter and gnarly rock, there are softer moments. The gorgeous âColorsâ garners a full-scale sing-along, as does a pulsating cover of Kate Bushâs returning classic âRunning Up That Hillâ. These pauses add depth to the set, with moments intimacy and space to breathe amidst the megalithic production.
The best is saved for last, though: a closing one-two punch of ‘I am Not a Woman, I’m a God’ â complete with a confetti covered dive into the crowd â and a firework accompanied rendition of mega-hit ‘Without Me’. It’s a powerhouse ending to a brash and ballsy headline gig.
After battling illness during their Leeds performance to smash it out of the park with a set that’s political, personal and poignant here at Reading, the artist sets herself apart. If you were looking for the biggest rockstar of the weekend, it might just be Halsey.
Halsey played:Â
‘Nightmare’
‘Castle’
‘Easier than Lying’
‘You Should Be Sad’
‘1121 / Die for Me’
‘The Lighthouse’
‘Colors’
‘Graveyard’
‘Bad at Love’
‘3am’
‘Honey’
‘Gasoline’
‘Experiment on Me’
‘Running Up That Hill (A Deal With God)’ (Kate Bush cover)
‘I am Not a Woman, I’m a God’
‘Without Me’
Check back at NME here for the latest news, reviews, photos, interviews and more from Reading & Leeds 2022.
The post Halsey live at Reading Festival 2022: a ballsy but poignant statement from a true rockstar appeared first on NME.