A new study has revealed that less than one in ten people working in film and television in the UK are from working class backgrounds, the lowest figure in a decade.
The same research, as reported by Channel 4, also showed that a similar disparity is present in the music and performing arts sector, with just 16 per cent coming from working class communities, as opposed to almost 65 per cent from middle or upper class backgrounds.
A lack of diversity has also been reported in other categories, with data showing that 90 per cent of those working in the arts are white, and nearly 70 per cent of people in managerial positions are men, with only 1 per cent of those being Black.
The study reveals that although such class-based patterns are not new, they actually show a decline in working class people making a living in the entertainment industry.
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A spokesperson for the UK government responded to the report, saying they are committed to âgrowing a creative sector with opportunities for all, creating new pathways into the industry through training and education.â
Labour, meanwhile, announced last month that they would reform the school accountability framework in an effort to ensure that arts subjects are considered of comparable value to sciences and humanities.
Keir Starmer, the partyâs leader, vowed to place culture âat the coreâ of his government if he were to win the forthcoming general election. âItâs about helping every child find their voice, learn who they are and what they believe and tell their story in their own way,â he said (via Yahoo! News).
âThat is the power of art in a nutshell.â
He also said Labour would broaden the curriculum to help all children study a creative subject or sport until the age of 16, and the party would work with museums and galleries to get more art into public spaces, while also promising a clampdown on ticket touts.
Class inequality has been a major talking point in the creative arts in the UK in recent years, with Garbageâs Shirley Manson recently telling NME that music is currently dominated by artists who are âindependently wealthyâ.
âWhat you lose are the baby starter bands coming from working class beginnings and any middle class of musicians,â she said. âTheyâre not the ones who are making really accessible, mainstream-sounding music â but the ones who take risks. Perhaps theyâre making music thatâs perhaps super heavy, thatâs esoteric and strange.â
âYou can hear that capitalist and economic strain in todayâs music. Itâs nonsense and itâs a heartbreak. Everyone is losing out. Whatâs happening to young musicians â and I underline the word young â is a fucking outrage. Somebody in government needs to go and help them out, because this is not right. Itâs abusive.â
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