âAt the end of The Maccabees, I was completely bereft,â Felix White tells NME. âI had a moment where I thought, Iâm just going to say yes to stuff and see where I land. I was concerned that I was never going to recover from that feeling of living out my dreams and being in a band.â
In the five years since the indie heroesâ breakup, White has indeed said yes to a lot of stuff: heâs started a record label, become a successful sports broadcaster and launched a career in making movie music. Ahead of the release of McEnroe, the new doc about Americaâs brattiest tennis star, White takes us through five film scores that inspire his work on the new soundtrack.
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Al Pacino and Robert De Niro in Heat
âWhile I was making this score, I was going back into a lot of films and going to the cinema,â White says. âFor the first time, I was analytically doing the maths of: âwhat is the music telling me here?â
âAl Pacino and Robert De Niroâs characters donât see each other across the whole [of Michael Mannâs Heat] apart from one scene. They donât want to beat each other because itâs feeding their purpose and self-identity. We really liked that in relation to [tennis rivals Bjorn] Borg and McEnroe. Itâs that Joker thing of, âI donât want to kill you, you complete me!ââ
Tangerine Dreamâs synth-y sounds from Thief
âItâs way before Drive, but Drive-sounding music,â White explains of the legendary German bandâs score for Michael Mannâs other crime epic Thief. âItâs got loads of guitar solos on top of modulating synths â human vs. machine. We liked the idea that Johnâs brain is genius on the court, but thereâs that extreme human fallibility too. The music did that as well, with all the computerised sounds but with Guitar Hero-like stuff on top.â
The emotional rhythms of Ăric Serraâs LĂ©on score
During lockdown, White went back to some tried and tested favourites â inspecting them with his soundtrack hat on. Thanks to quarantine, he had plenty of time to do soâŠ
âI was trying to make music with momentum and rhythm without using a full drum kit,â he says, âand the first thing that appealed to me when I went back and watched LĂ©on was the Indian drum-type percussion underneath crazy string sections.
âThereâs tragedy and sadness built into all of the music, so itâs a tough one to watch on your own â you get very sad very quickly!â
The bombast of Bruce Leeâs The Big Boss
âIâve actually never even seen this film, but Iâve been making a record for the last few years and Iâve been getting in the car with Jamie [a drummer friend White has been working with] to go to and from studios. He has a rule that he wonât listen to music with lyrics in the car.
âWe were listening to [The Big Boss] in the car, and itâs so bombastic, wild electric guitars, mad brass sections and flutes. Itâs a lot of fun and really out there. We were talking about all the darkness on McEnroe, but if you pay a tenner to go and see a film, you want it to be a bit of a romp and good fun as well.â
The impeccable sound design on Jonny Greenwoodâs There Will Be Blood
Another film Felix went back to while crafting the McEnroe soundtrack was There Will Be Blood and its impeccable score by Radioheadâs Jonny Greenwood. In particular, he was drawn to the filmâs exquisite sound design and how it worked in tandem with the score.
âThereâs a moment when the kidâs ear drum bursts when an oil drum explodes and thereâs this horrific, dissonant thing that happens. Even now when Iâm explaining it to you, I can feel how uncomfortable it was. It gave me a little lightbulb moment, and I thought: when youâre doing a film score, youâve got the license to do that. You can go as far as you need to.â
The influence of this score then manifested strongly in the McEnroe soundtrack. âWhen Borg retires, McEnroe is experiencing a disconnection and his life becomes claustrophobic, filled with paparazzi. I started to feel like I could put that sense of the world closing in on him across in a much more visceral way. Thatâs what great music and film does.â
âMcEnroeâ is in UK & Irish cinemas from July 15
The post A Maccabee at the movies: five film scores that inspire Felix White appeared first on NME.