A common rite of passage for any music fan moving to a new city is delving into your new stomping groundâs musical heritage. Manchester-based four-piece Blanketman, whose joyous blend of indie-pop and post-punk is starting to turn plenty of heads, went one further to get the creative juices flowing after moving to the city a few years ago.
âWe rehearse in Brunswick Mill Studios and apparently the space we play in now is The Fallâs old room,â frontman Adam Hopper tells NME over Zoom. It also happens to be in the famed red-brick industrial building where Joy Division recorded their âLove Will Tear Us Apartâ video. âYou can feel it in the walls: it probably smells the same as when those bands were there. You just imagine all the split beers on the carpets and memories that have never quite washed away.â
While such musical greats are name-checked by just about every emerging guitar band, Hopper says he drew on more classic influences while crafting Blanketmanâs melodic yet gritty debut EP âNational Trustâ. âI love classic songwriting like the Velvet Underground, The Beatles and Bowie, so I had that in mind when writing. Thereâs a lot of things in common that drew us to that post-punk sound initially, but Iâd take a classic-sounding song and then the band would mess it up with weird, jagged riffs.â
As well as following in the footsteps of their musical heroes in a quite literal sense, Manchester has also thematically shaped Blanketmanâs first EP as the record looks at life through something of a Northern lens. This is perhaps best demonstrated on the fiercely catchy single âLeave The Southâ where Hopper whimsically sings: âI know the North can be quite grey / It’s too expensive down there anyway.â
The anthem addresses the feelings of isolation the vocalist experienced while studying in Reading. âItâs one of those stupid situations where youâre in a place, you feel shit and, rather than look at the actual reasons why, you just blame it on everything around you,â he recalls. âI donât have anything against the South particularly, but the song deals with everything from the loss of friendships through to thinking âIâm skintâ. It was written through hindsight, really.â
The EPâs title track, meanwhile, pokes fun at the trivialities of British culture. âMy girlfriend’s parents bought her a National Trust membership for her birthday. I just thought it was hilarious because itâs quite a middle-class thing to have. We like to satirise things that are going on in the country: itâs always good to laugh at it, otherwise youâd be crying.â
The âNational Trustâ EP also faces up to some more challenging issues under its playful surface, with âBlue Funkâ straying into harsher territory and addressing feelings of depression and anxiety. âItâs quite hard to sing [about] those things sometimes,â Hopper says. âThe one lyric that stands out is: âNow I no longer hear the beauty in the songs I loveâ. When Iâm feeling down, I canât listen to music. Thatâs a common theme with mental health issues: you struggle to find enjoyment in the things youâd normally like.â
Blanketman believe they can turn their hand to just about anything musically – and why not? âI want to try and serve the songs as best as we can,â Hopper explains. âLuckily, [song ideas] are so bare-boned to begin with that by the time I take it to the rest of the band and they write their parts, it sounds like us.â
The band are especially excited about playing the âNational Trustâ songs in sweaty, packed-out venues across the UK once live gigs can safely resume. âItâs going to be weird because by the time we play these songs live weâll have been playing them for over a year, and weâll probably be on our debut album,â Hopper adds about Blanketmanâs current creative streak.
Becoming ingrained in the live music community in Manchester has already helped the band secure some well-known admirers. âWe became friends with The Fallâs Steve Hanley by chance encounter,â Hopper says. âHe loves what we do and is really supportive, and even ended up playing a few shows with us.â Another game-changing moment came in 2019 when Blossoms frontman Tom Ogden praised Blanketman before playing one of their songs on BBC Radio 1. âWe couldnât believe it. It was incredibly helpful that he did that off of his own back with such a huge platform [listening], and it really did open up lots of doors for us.â
While the bonds theyâve already forged in the Manchester scene have been vital, Blanketman firmly believe that staying true to themselves musically will be key to their longevity. âI think itâs important for us to follow our own path,â Hopper offers. âWe often disagree within the band now, and thatâs great because we get these different strands coming together. Weâre doing lots of writing now for whatever comes next, and weâre sticking to that formula because we believe in it.â
Blanketmanâs debut EP âNational Trustâ is out now
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