The enigmatic Central Cee rose to fame last year despite the gruelling isolation of lockdown. Hailing from âWild Westâ London â Shepherdâs Bush, to be exact â Central Cee, aka Cench, seemingly became an overnight sensation last summer as people started taking notice of his artistic raps, which often play out over zippy, UK drill-style beats.
Central Cee’s breakthrough didn’t surprise many avid UK rap fans, however: this skilled rhymer has been pushing his pen for years, having survived and thrived beyond the experimental UK afro-wave rap era of 2015-18. With the 23-year-old now raising the bar for his fellow break-out drill stars – although Cench, it should be noted, doesnât class himself as purely a drill artist – the Big Sean-endorsed rapper really does have all eyes on him right now.
NME caught up with Central Cee to talk about his breakthrough hit âDay In The Lifeâ, assess his relationship with the drill scene and break down his freshly released debut studio mixtape, âWild Westâ.
NME: Your music took off during the 2020 lockdown, didn’t it?
Central Cee: âYeah, my shit started picking up during the lockdown. It’s weird [because] it’s good and bad. While it’s more good than bad, itâs bad because I’m locked down just like everybody else, so it can get a bit frustrating and boring. I think the fact that we haven’t been able to do any shows, haven’t been able to touch the fans and really feel the love in real life is a bit unfortunate as well.â
Youâd think itâd be easier to interact with your fans from home…
âIâve got more time for [my fans], for sure. But, for me, I don’t feel that that much has changed. Although a lot more people are listening to my music and I’ve got a lot more followers, I can’t really feel [the love]. It’s just all digital, so I havenât actually taken it in. I’ve taken maybe like three pictures with fans that I remember. All of the encounters I’ve had with fans that I remember I can count them on one hand: it’s not a lot. I think feeling the love in real life is important. While itâs nice that Big Sean tweeted about me, again itâs all digital so [it hasnât sunk in yet].â
"Day in the life, Let's see if you really trap, Turn off the autotune, Let's hear how you really rap (Haha)" @Central_Cee. and Dutchavelli one of the hardest out. Love to the whole UK https://t.co/3BgyZp6pNA
— Sean Don (@BigSean) September 5, 2020
Most people will either know you for your brand new drill sound or your old wave rap. Did you change your style on purpose, or were you just following trends?
âIt’s the same concept and thought process that I’m going through when I’m writing. It’s coming from the same place it was coming from before. It’s just a different speed, different BPM, I guess. But, like even prior to that, when I first started making music, it was grime: the first bars I ever wrote were probably on grime. I think that’s why maybe I find [writing on drill] easy as well. It kind of comes to me naturally as they have similar tempos to what I started making music on. So âPull Upâ and all that wavy stuff was like three years into [me making] music. I’ve made a couple of transitions in my short career.â
âWild Westâ is all drill, though. What happened to that versatility?
âIt is all drill. Well, actually, I donât know if I do drill, or what it exactly is. I know manâs rapping on a beat thatâs the same tempo as drill and uses the same instruments. But Iâm not talking about drillings and you can hear that. Like âCommitment Issuesâ: I wouldn’t say thatâs a drill song, thatâs a love song. Even âLoadingâ isnât a drill song like that, it’s just me rapping over a drill beat. Take it how you want it. Thereâs uplifting songs like âHate It Or Love Itâ, too. I don’t think people can call that drill, though… I think the people that made drill wouldnât call [‘Wild West’] drill: it’s more than drill.â
Do you think wave rap is completely dead?
âI listen to wave rap: that’s the majority of what I listen to. I don’t think it’s dead: melodies will never die, [so] wave rap will never die. Like any genre, especially when it’s the popular thing at a time, you’re going to see a lot of people jump on the bandwagon and whatnot. Then there’ll be the ones that come and go. And then there’ll be a couple of people that really love this thing and will actually leave a mark.â

You’ve been in your own lane for a long time…
âYeah. And Iâm always going to be in my own lane.â
How do you feel about being a loner musically, always sticking out from the rap crowd?
âIt’s what I’m most comfortable with, to be fair. [It might be] kind of how I grew up: I didn’t really grow up, it’s just how I am. I never really cared to be in the mix. Itâs hard to differentiate my music because no matter what Iâm on, itâs always me.â
You told your fans on Snapchat recently how you used to record with just a MacBook and a pair of iPhone headphones. What’s it been like upscaling to now be working in huge studios and meeting big-name UK rap producers?
âWe started recording in the yards and that with the shittest of equipment, so yeah, itâs a blessing. You can hear on [âWild Westâ] how much work I have put in and how many of years of grinding I did. It all comes out in the music.â
Did you ever have a moment where you thought: ‘I’m never going to blow up’?
âNo, I think I always knew it was a matter of timing. I would always analyse the music industry and the business side of things, [so] I can tell. I donât mind [being called a new artist]: I’m newly discovered. I have a great audience.â
“Iâm always going to be in my own lane” – Central Cee
What do you remember about writing your breakthrough song ‘Day In The Life’?
âI was writing in the car. I was driving around at the same time so it was kind of hard, but it was rolling off my tongue. I just remember listening to the beat, and when I write a good song it doesn’t take much time – so I probably wrote it in an hour. The studio session: that was about 15 man in a small studio. It was hot, it was summer: I think I remember just sweating up!
Have you already started working on your next mixtape?
âYou know what? It just comes from the heart. It’s never from songwriters. It’s just me in the room all the time, so itâs feels the same. But thereâll be a different selection of beats on the next project, so thereâs slower songs and you might hear me playing with melodies again. Stuff like that.â
Do you feel like you’re only doing music for yourself, or do you want to be part of the wider picture?
âI think when I started music it was mostly for my own reasons. Then it’s becoming a thing where so many people are listening to me. I’m seeing so many different types of people listening to me and it does make me think about the way they are touched by the music. It definitely makes me think more about what I’m saying and the messages that I’m putting in now. It’s probably for a deeper purpose than just for myself.â
Central Cee’s debut mixtape ‘Wild West’ is out now.
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