Christine & The Queens ā aka Chris but real name HĆ©loĆÆse Letissier ā is bouncing around the same emotional purgatory as the rest of us while in lockdown. “It really depends on the day really,” she tells NME from her “spacious but extremely narrow” Parisian apartment. “Sometimes I feel super-strong; sometimes I feel super-weak.”
In another sense, though, she’s in her element. When France first started enforcing social distancing due to the coronavirus outbreak last month, Chris took to streaming her own intimate gigs every night.
She speaks to us on Facetime ā in between dancing in her living room and writing in her bedroom ā about what went into her beautiful and ambitious recent EP and short film ‘La Vita Nuova‘, her quest to collaborate with Tame Imapala‘s Kevin Parker and what to expect from her “vast and hopeful” third album.
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Hi Chris! How’s social distancing going for you?
āIām isolating in my house. I brought a lot of sound gear in my room and Iām writing a lot of new music. Creativity is a way for me to deal with my creativity and emotions. This is immediately what I thought I would do.”
So you’re working on your next album?
āMy original plan was to be in the US right now to promote my EP. I was going to do some American TV, stick around in LA and do some sessions with musicians. I decided to take this as a sign to write a lot on my own first instead. It feels a lot like the usual process when I start a new album. The mindset is different, because on my third album Iām looking for something very vast and hopeful.ā
Your debut ‘Chaleur Humaine’ said, ‘This is me’. Its follow-up ‘Chris‘ said, ‘This is me and I do what I want’. What does ‘La Vita Nuova’ say?
āI would say: āFuck me ā I feel sad!ā There was a real sense of unravelling in that EP that was quite present. Itās true. āChrisā was so much about warmth, performance, lust, being campy and joyful. The record was still a bit scorched, but still vivid and full of a desire to eat the world. āLa Vita Nuovaā in contrast was the result of receiving a lot of emotional short punches in my face during 2019.”
How so?
“I experienced a lot of deep things while touring the second record, and the tension between the tour and the rest of my life crumbling apart became unbearable. I have to be able to relate to the material. I wrote [ the song] āPeople, Iāve Been Sadā a year ago now and the songwriting is unforgiving. You canāt cheat when it comes to songwriting. I have a no-bullshit policy. The phrase, āPeople, Iāve been sadā just came out of my mouth.”
Did the idea for the film come after the EP, or was it always part of the plan?
āAt first I wanted the EP to be released without any commentary. I wanted people to receive something really solid and theatrical without too much explanation. I wanted that thing to arrive like a fever dream. Iām trying to talk about loss and heartbreak ā there are experiences that are hard to communicate, feelings that are almost delirious. I wanted the movie to express that. Itās really pure.ā
Are there any artists in your orbit that you’re itching to collaborate with?
āIām super shy, so I need to be comfortable with them. I canāt just write to them out of the blue and say, āHey, letās collabā. I donāt know how to do that shit. I love Kevin Parker from Tame Impala and am obsessed with his work. I donāt know if it will ever happen. I love MGMT and would love to do something with them too. Like everyone else on earth, I love Rosalia too. If she wanted to I could write a fucking movie for her. Sheās really consistent and super charismatic.ā
What will be the tone of the new record?
āIām not choosing; the songs are basically yelling at what to do. The new songs are surprisingly hopeful, and Iāve never described myself as that. Itās upsetting because I donāt know how to deal with that! Iāve always said I have a French tormented soul. I have a cool concept for the record, I think. I love a concept.ā
āItās sounding really spacious and ambitious. It feels like taking a huge leap forward. Itās also possible that maybe Iām just being really delusional in lockdown. Right now Iām like, āThis is awesome!ā Maybe later Iāll be like, āAh, this is shitā¦ā.ā
On your recent livestreamed chat with Charli XCX you said you plan to to get high and watch the much-mocked movie Cats. Have you done that yet?
āNot yet. To be honest, I am a bit afraid. Iām on my own so if I get on to a really bad vibe because of the movie then itāll be terrifying. My friends advised me to wait for them until I can watch it. Maybe I could do it on Facetime so we can all do it together. Otherwise it will open a door that Iām not ready to open ā to another dimension. I would just disappear, because of Cats.ā
How else are you passing the time? TikTok? Netflix?
āOh, God. I wish I understood TikTok. My first reaction was, āWow, Iām oldā, and the second was, āI can never do thisā. I havenāt been binge-watching anything, but Iām really into watching really old, demanding, conceptual movies. I have the time now to pay attention, which is really hard to do in our current lives.”
Any recommendations?
Iāve been really enjoying Alain Resnais, a French director from the ’60. His movies are slow and really literary. Iāve also been enjoying a lot of old Japanese movies. Theyāre brutally beautiful stories about geishas and samurai. Thereās one called Ugetsu by Kenji Mizoguchi. Thatās my favourite. Iām demanding the beauty that I donāt usually have time to properly address. I havenāt been binge-watching anything shallow. Iām in deep and serious business. Iāll be emerging as an intellectual!ā
Anything else youād like to say to the world in these trying times?
āJust stay safe and reach out if you feel depressed. Itās important to not feel bad if you feel bad. I wasnāt comfortable reaching out for much of my youth, but itās something I do more now. I love you guys and I miss you. I need to perform. At some point, you just need human warmth. When this is all done, letās just party. “
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