BLABBERMOUTH.NET
Buddy "Blaze" Webster, the instrument designer who alleged that he hadn't been paid for sales of the late
PANTERA guitarist
"Dimebag" Darrell Abbott's classic
"Dean From Hell" guitar, which he said he helped create, died over the weekend. No cause for his death has been revealed.
In April 2017,
Webster filed a lawsuit against
Armadillo Enterprises, the parent company of
Dean Guitars, and
Dimebag's estate, claiming that
"Dean From Hell" was designed in the 1980s after
Webster met and developed a friendship with
Dimebag. In November 2018, a judgment was entered in favor of the defendants in the Middle District of Florida, where the suit was transferred in July 2017. There is a three-year statute of limitations on copyright actions, and because
Webster's dispute was about copyright ownership, the window in which he could file his lawsuit had long passed, the judge said while dismissing the case. In January 2020,
Webster's attorney told a three-judge 11th Circuit panel that the designer was entitled to a trial and asked the judges to reverse the lower court's decision. But three months later, an 11th Circuit appeals court rejected
Webster's challenge, agreeing with the federal court that the period in which
Webster could have sued expired "years before" he filed his 2017 federal lawsuit.
Earlier today (Wednesday, August 18),
Webster's attorney,
Eric Bjorgum of
Karish & Bjorgum paid tribute to his former client, writing on
Facebook: "I was lucky to represent
Buddy in a dispute over the design of
'Dimebag' Darrell Abbott's
'Dean From Hell' guitar design.
Buddy had helped discover the young
Darrell, and when
Darrell sold a guitar he won in a contest,
Buddy secretly bought it back, had it repainted and hot-rodded it into what would become
Darrell's favorite guitar. Things got weird after
Darrell's passing, money was made, the lawyers were called in and blah blah blah.
"But despite the rancorous circumstances of our meeting,
Buddy and his wife
Joyce (together since they were 16) quickly became my friends first and clients second. He had endless stories of famous musicians and giant jars of guitar picks he let me wade through. (I got a full set of
Spinal Tap picks out of it.)
Buddy's enthusiasm for making guitars and supporting young musicians was unparalleled. After making a name in Dallas, he was whisked away to
Kramer Guitars in New Jersey in the heyday of hard rock/metal to do artist relations and guitar set up guitars for too many acts to mention. He designed the
'Nightswan' with
Vivian Campbell when
Vivian was between
DIO and
WHITESNAKE. With the
Dean From Hell and
Nightswan,
Buddy was the rare independent luthier who designed two classics.
"In our case, when his reputation was questioned, I had to drag out of him that he had teched for or made guitars for a jaw dropping list of guitarists/bands including
Chris Isaak,
Stevie Nicks,
Trent Reznor,
Waddy Wachtel,
Ronnie Montrose,
Steve Vai,
Tom Scholz,
Slash,
Mark Kendall/
GREAT WHITE,
Larry Carlton,
Geezer Butler,
Kinley Wolfe,
Dave Meniketti and many more.
"When I asked him why he had given up the lucrative job of being a traveling tech for top artists, he said that most of all he wanted to make guitars that would musicians would play for decades. He hated it when his guitars were bought up for the Hard Rock to be on a wall somewhere. "Before moving back to Dallas, he revamped his guitar shop in Hawaii, where the locals quickly accepted him and recognized his character.
"Most of all,
Buddy loved finding new talent and supporting bands. No matter what happened in Court, it was all a precursor to the adventure that
Buddy and
Joyce had in store for me later.
"When I first met
Buddy in person, we had a series of emotional depositions in Dallas, and at night he and Joyce would ferry me around to different clubs to meet musicians and see bands. I was almost passed out from exhaustion when they insisted on driving 20 miles to a bar in a strip mall where we saw incredible soul artists on a random weeknight. Of course the bartender knew
Buddy and all drinks were on the house.
"The day we argued in the 11th Circuit in Atlanta, one of
Buddy's clients paid for us to Uber 50 miles to see him play a
Blaze bass at a BBQ, and
Buddy was once again treated like royalty.
"
Buddy was so proud that he had been a mentor for
Dimebag Darrell and discovered other talent like
Sam Bam Koltun (whom he encouraged to leave home for LA and now plays with
FASTER PUSSYCAT, making them sound better than they have in years). Last time we talked, he had a new kid, from Dallas, who he swore was going to be the next big thing.
"There's little doubt that with his passing
Buddy's reputation as a guitar maker will only grow. I was always blown away that he was not more famous, and he gave our firm a great lawyer compliment once, stating that if, earlier in his career, he had met like us who would really fight for him, things might have been different. That felt good to us, but it is small recompense for the loss that music and the world has suffered with the loss of
Buddy 'Blaze' Webster. I cannot imagine what
Joyce is feeling.
Buddy Blaze â RIP."
In his original lawsuit against
Armadillo Enterprises,
Webster said that he was living in Arlington, Texas in the 1980s when he "befriended a young local guitarist named
Darrell Abbott.
Abbott was incredibly talented and was a member the band '
Pantera'," the lawsuit added. "One of
Darrell Abbott's guitars is a model made by the
Dean Guitar company, known as a
Dean ML, which he won in a local contest.
"
Abbott used the guitar but eventually decided to sell itâŠ
Webster secretly bought it back⊠then modified the neck the guitar, changed some the hardware and stripped the paint.
Webster designed a new visual look for the guitarâŠfeaturing] a unique blue background with lightning emanating from the center the guitar body."
Webster claimed that he gave
Darrell the classic guitar which soon "became his signature guitar.
"
Abbott played the guitar from
Webster wherever possible," the lawsuit added. "It became known as the 'Dean From Hell.'"
After
Dimebag was tragically murdered in December 2004,
Webster collaborated with
Dean to produce a similar guitar to sell, marketed as the Buddy Blaze Signature Model. However, according to
Webster,
Dean Guitars eventually copied "engaged in multiple reissue campaigns of the 'Dean From Hell'" without giving
Webster credit or any payment. After
Webster failed to reach an agreement with
Dean and the
Abbott estate, he filed the suit.
Photo courtesy of
Eric Bjorgum's
Facebook
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