FKA Twigs will play the mother of Jesus in a new horror film alongside actor Nicolas Cage.
- READ MORE: FKA Twigs on the cover: âThere are so many sides to me that the world hasnât seen yetâÂ
As per Deadline, Twigs has been cast in The Carpenterâs Son, a horror film centred around Jesusâ childhood. Twigs will play the role of âthe Motherâ, according to the outlet, alongside Cage, who will play âthe Carpenterâ and Noah Jupe, who will play âthe Boyâ.
The film was written and directed by Lotfy Nathan, whose debut feature Harka premiered at Cannes back in 2022.
According to the official synopsis of the film: âThe Carpenterâs Son tells the dark story of a family hiding out in Roman Egypt. The son, known only as âthe Boyâ, is driven to doubt by another mysterious child and rebels against his guardian, the Carpenter, revealing inherent powers and a fate beyond his comprehension. As he exercises his own power, the Boy and his family become the target of horrors, natural and divine.â
It comes as Twigs will also star in another horror this summer with the remake of The Crow.Â
The British singer-songwriter â whose real name is Tahliah Barnett â revealed the news of the AI development in a recent written testimony, where she explained how artificial intelligence can be used when an artist gives their consent.
Deepfakes are created using artificial intelligence to make a photo or video of someone by manipulating their face or body. According to a report by Rolling Stone, the online version of the artist will go by âAI Twigsâ, and will be rolled out later this year to help her maintain a connection with fans online while she focuses on making new music.
âIn the past year, I have developed my own deepfake version of myself that is not only trained in my personality but also can use my exact tone of voice to speak many languages,â she wrote in the testimony.
âI will be engaging my AI Twigs later this year to extend my reach and handle my online social media interactions, whilst I continue to focus on my art from the comfort and solace of my studio.
âThese and similar emerging technologies are highly valuable tools both artistically and commercially when under the control of the artist.â
The singer put forward the testimony to the Senate Judiciary Subcommittee on Intellectual Property in Washington D.C. last week (April 30). It comes in regard to the âNo Fakesâ Act, which has been developed with the aim of protecting public figures from the unauthorised use of names, images and likenesses for AI.
Her testimony shed light on the issues that may arise if artificial intelligence technologies are not properly regulated, as well as warning that it could put the careers and livelihoods of celebrities in jeopardy.
âThat the very essence of our being at its most human level can be violated by the unscrupulous use of AI to create a digital facsimile that purports to be us, and our work, is inherently wrong,â she wrote.
âIt is therefore vital that as an industry and as legislators we work together to ensure we do all we can to protect our creative and intellectual rights as well as the very basis of who we are.â
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