As far as cosigns go, you could do a lot worse than getting a seal of approval from Erykah Badu. âWhat better artist to highlight as an extension of what I am creating?â Badu recently said of LA-via-Dallas experimental-R&B performer Liv.e while premiering the latterâs debut album, âCouldnât Wait To Tell Youâ, as part of her newly-launched Quarantine Concert Series livestream project.
The common thread between the pair is plain to see. Not only do they share an alma-mater in Dallasâ Booker T. Washington High School for the Performing and Visual Arts, but there are similarities between the two as artists as well: both evocative songwriters, sonically adventurous producers, and distinct, idiosyncratic acts pushing at the boundaries of where their sound can go.
âCouldnât Wait To Tell Youâ follows on from Liv.eâs breakthrough 2018 project âhoopdreamsâ, a 7-track collection that weaved funk, soul and hip-hop with a retro, lo-fi sheen, garnering the 22-year-old attention from the likes of Earl Sweatshirt, who she would later tour and collaborate with. Since then, sheâs worked with some equally exciting acts at the apex of the experimental rap scene, like Pink Siifu and Black Noi$e.
Written and recorded during a much-needed period of âpauseâ back in her motherâs home in St Louis, Missouri, âCouldnât Wait To Tell Youâ is an album thatâs been described by the artist as âa completion of a webâ and âa closing chapter of my lifeâ. Itâs deliberately journal-like too: âThereâs a lot of different points of views,â the singer-rapper-producer told NME back in June. âItâs like each song is a different character giving a page out of their diary. Theyâre characters Iâve made up, but itâs kind of like [different parts] of myself.â
Understandably, then, thereâs a sense of searching and self-reflection thatâs central to the album. On lead single âLessons From My Mistakes…but I Lost Your Numberâ, the songâs narrator is âlearning from my mistakesâ, but also learning to accept their mistakes too: âMistakes I make never wrong / Just a new lesson, maybe a new song / But you know, a bitch is learning.â However, on âI Been Livinâ, she sings over a warped, grainy piano: âLooking back never made any sense / Imma keep on movin’â.
20 tracks long, âCouldnât Wait To Tell Youâ is sleeker than the artist’s previous releases, but just as challenging and expectation-defying. It feels in a constant sense of shift and flux too, as the tracks occasionally throw you at the deep end (âHow She Stay Conflicted…â), or are suddenly clipped short (âSheâs My Brand New Crushâ), or even have false endings and beat switches (âLessons From My MistakesâŠ). Then thereâs the numerous stylistic switches â from strung-out neo-soul (âAbout Love at 21â) and ’70s funk (ââBout These Pipedreamsâ) to free-form spoken-word (âCut To The Chaseâ) to loungey jazz (‘Watchu Need Reminded’).
Feeding into the albumâs diary-like theme weâre given snapshots of stories and space to connect the dots ourselves. Sometimes, itâs difficult to tell whether the songsâ lyrics are being spoken to a third-person or as reminders to the narratorâs own self, such as is the case on the ambient, spoken-word âStories with Aunt Livâ. The instrumentals, too, with chopped and twisted samples, makes it feel like you’re dipping in and out of fleeting dreams.
It leaves the record feeling like an immersive and atmospheric mood piece akin to Solangeâs âWhen I Get Homeâ, Frank Oceanâs âEndlessâ or, more recently, KeiyaAâs âForever, Ya Girlâ – similarly impressionistic releases that invite you to spend time to explore their worlds.
Details

- Release date: July 31
- Record label: In Real Life Music
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