Mabelā€™s ā€˜Let Them Knowā€™ is one of the biggest, ballsiest pop songs of the year. The disco banger, with its house rhythms and sparkling hooks, is the ultimate feel-good anthem ā€“ a reminder, as the lyrics succinctly put it, that ā€œyouā€™re that bitch.ā€ Itā€™s the first taste of new music weā€™ve had from Mabel this year, and an exciting peek at what her next chapter will sound like. Itā€™s unsurprising, then, that it sounds even better on the Reading Festival Main Stage East, screamed back by thousands of fans.

Itā€™s one of the first live outings of Mabelā€™s latest single ā€“ a song thatā€™s surely been a staple in clubs since Freedom Day ā€“ and accompanied by six, perfectly choreographed dancers, a live band and a few moments of pyro, itā€™s a joy.

Performing in the early evening, British pop star Mabel fills her 45-minute set with euphoria. Precious time isnā€™t wasted on long, laborious stories regaled to the crowd; instead, she blitzes through her impressive back catalogue of pop smashers. She opens with the electropop bounce of ā€˜Mad Loveā€™, follows it up with Afroswing-inflected ā€˜Finders Keepersā€™ and then storms into the massive ‘Bad Behaviour’. Itā€™s a powerhouse opening trio ā€“ and a reminder of the wealth of hits Mabel holds in her arsenal.

Performing in front of a giant, shiny silver ā€œMā€ and decked out in a black vinyl outfit that channels Christina Aguilera’s ‘Dirrty’ era, she puts on the kind of slick show you might expect at a stadium ā€“ as if someoneā€™s picked up Wembley and plonked it into a field full of glitter-clad teenagers. She acts as a hype-woman for the crowd, too: before ā€˜Fine Lineā€™, the slinky R&B jam she released with singer-songwriter Not3s in 2018, she encourages the crowd, shouting: ā€œIā€™m going to need some help from you on this oneā€¦ I want Not3s to hear you from Londonā€

Itā€™s a stacked set which cherry picks songs from her back catalogue (and skims over some of the filler from her 2019 debut album ‘High Expectations’), and the energy rarely dips. A brief lull occurs with dreary ‘Tick Tock’, a 2020 collaboration with dance-poppers Clean Bandit, but largely itā€™s chock-a-block with belters.

Credit: Andy Ford

Closing with breakup bop ā€˜Don’t Call Me Upā€™ ā€“ complete with an extended dance break ā€“ Mabelā€™s main stage performance was brilliantly good fun. If this is the introduction to Mabelā€™s next era as a popstar, weā€™re in for a treat.

Check back at NMEĀ all weekend for more reviews, news, interviews, photos and more from Reading & Leeds 2021

The post Mabel live at Reading Festival 2021: pure pop perfection in a hit-packed set appeared first on NME.

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