Mabelās āLet Them Knowā is one of the biggest, ballsiest pop songs of the year. The disco banger, with its house rhythms and sparkling hooks, is the ultimate feel-good anthem ā a reminder, as the lyrics succinctly put it, that āyouāre that bitch.ā Itās the first taste of new music weāve had from Mabel this year, and an exciting peek at what her next chapter will sound like. Itās unsurprising, then, that it sounds even better on the Reading Festival Main Stage East, screamed back by thousands of fans.
Itās one of the first live outings of Mabelās latest single ā a song thatās surely been a staple in clubs since Freedom Day ā and accompanied by six, perfectly choreographed dancers, a live band and a few moments of pyro, itās a joy.
Performing in the early evening, British pop star Mabel fills her 45-minute set with euphoria. Precious time isnāt wasted on long, laborious stories regaled to the crowd; instead, she blitzes through her impressive back catalogue of pop smashers. She opens with the electropop bounce of āMad Loveā, follows it up with Afroswing-inflected āFinders Keepersā and then storms into the massive ‘Bad Behaviour’. Itās a powerhouse opening trio ā and a reminder of the wealth of hits Mabel holds in her arsenal.
Performing in front of a giant, shiny silver āMā and decked out in a black vinyl outfit that channels Christina Aguilera’s ‘Dirrty’ era, she puts on the kind of slick show you might expect at a stadium ā as if someoneās picked up Wembley and plonked it into a field full of glitter-clad teenagers. She acts as a hype-woman for the crowd, too: before āFine Lineā, the slinky R&B jam she released with singer-songwriter Not3s in 2018, she encourages the crowd, shouting: āIām going to need some help from you on this oneā¦ I want Not3s to hear you from Londonā
Itās a stacked set which cherry picks songs from her back catalogue (and skims over some of the filler from her 2019 debut album ‘High Expectations’), and the energy rarely dips. A brief lull occurs with dreary ‘Tick Tock’, a 2020 collaboration with dance-poppers Clean Bandit, but largely itās chock-a-block with belters.

Closing with breakup bop āDon’t Call Me Upā ā complete with an extended dance break ā Mabelās main stage performance was brilliantly good fun. If this is the introduction to Mabelās next era as a popstar, weāre in for a treat.
Check back at NMEĀ all weekend for more reviews, news, interviews, photos and more from Reading & Leeds 2021
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