âWelcome to the best show on earth, motherfuckers,â declares Machine Gun Kelly midway through the first UK date of his âMainstream Selloutâ world tour. Itâs a swaggering bravado that dominates the two-hour, 29-track show from its first seconds, when he appears on Wembley Arena’s stage via pink helicopter. Later, a giant inflatable creature appears, seemingly borrowed from Museâs big box of spectacular tricks, and thereâs also so much fire that stagehands have to physically push the backdrop away from the eruptions so the sold-out venue doesnât burn down.
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At one point, MGK tells the crowd the owner of Reading & Leeds is watching tonightâs show (âI think one day very, very soon, Machine Gun Kelly should be headlining that festivalâ) before going on to talk about watching Foo Fighters play the venue next door in 2008. âMy goal is to play Wembley Stadium,â he declares.
It might sound arrogant, but Machine Gun Kelly has the songs to back it all up. Across the mammoth set, he veers between angsty pop-punk (âConcert For Aliensâ), atmospheric stadium rock (âLonelyâ), trap (âDonât Sleep, Repeatâ with support act 44phantom), a medley of heartfelt acoustic tracks and intense rap (âFloor 13â) with the crowd lapping up every shift with the same excitable reaction. Skepta appears early on for a hammering rendition of âPraise The Lordâ while later on, Yungblud joins him for a hyperactive âActing Like Thatâ and breakout anthem âI Think Iâm OKAYâ, which helped kickstart the whole pop-punk revival back in 2019. Tonight is proof it was so much more than a phase.
Machine Gun Kelly is looked down on by a lot of the people who lived through the original â00s boom of the genre, and during the show, that inflatable monster â representing The Internet â vocalises anonymous criticisms about the star. âYouâre a poser, you canât play guitar, I thought you were supposed to be a rapper.â A fiery âPapercutsâ explains how he âsaw the limit, and took it fartherâ, while after the song, he tells the crowd to ânever listen to an invisible room full of insecure fucks. You always stay true to what you love. Thank you for having the balls to be yourself.â
There might be a lot of nostalgia in Machine Gun Kellyâs music, with its nods to Blink 182, Sum 41 and Guns N’ Roses, but the majority of the crowd tonight isnât old enough to have lived through it before. More than that, though, he uses the songs to talk bluntly about everything from smoking weed to depression, loss and isolation. âIf you ever feel lonely, just press play and Iâm right here,â he says. Later, he speaks about touring with âone of the greatest bands of all timeâ, Linkin Park, and the loss of vocalist and âgreat human beingâ Chester Bennington. âI encourage you to go live this short life. I know this shit is fucking hard, but nights like this make it worth it.â Itâs little wonder an entire generation looks up to him.
Making Wembley Arena feel intimate, Machine Gun Kelly owns the stage for the duration of the concert. Backed by a five-piece band, the aggressive moments from his past two albums shake the foundations of the venue while cuts from the rap-heavy âHotel Diabloâ inspire countless moshpits. The last time he was in London, it was at Brixton Academy, âand it didnât look like this,â laughs MGK before promising, âWe are just beginningâ. After tonightâs show, all bets are off about what comes next.
Machine Gun Kelly played:
‘Born With Horns’
‘God Save Me’
‘Maybe’
‘Praise The Lord’ (Skepta cover, with Skepta)
‘Drunk Face’
‘Fake Love Don’t Last’ (With Iann Dior)
‘Concert For Aliens’
‘Ay!’
‘Don’t Sleep, Repeat’ (44phantom cover, with 44phantom)
‘More Than Life’
‘Die In California’
‘Floor 13’
‘Papercuts’
‘Title Track’
‘Kiss Kiss’
‘Bloody Valentine’
‘El Diablo’
‘WWIII’
‘WW4’
‘Emo Girl
‘Glass House’
‘Lonely’
‘Acting Like That’ (Yungblud cover, with Yungblud)
‘I Think I’m OKAY’ (Yungblud cover, with Yungblud)
‘Love Race’ / ‘Banyan Tree’ / ‘Why Are You Here’ / ‘Jawbreaker’ / ‘Sid & Nancy’
‘Forget Me Too’
‘Make Up Sex’
‘My Ex’s Best Friend’
‘Twin Flame’
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