Sometimes an album is best heard at night. Whilst they may sound pretty good during daylight hours, as soon as the sun goes down there’s a new element of magic evident, that appears out of nowhere. Whether it’s for soundtracking a hazy night out with pals, getting cosy during those dark winter evenings or for early morning rises before the birds have awoken, some records are just that much better late at night.
Here, NME writers go deep on their favourite late night albums.
Yeah Yeah Yeahs
âIt’s Blitz!â (2008)
When compared to the rest of the soothing, atmospheric records within this list, ‘It’s Blitz!’ barely qualifies as a late-night album. But at the same time, the third album from the New York trio is the perfect soundtrack for letting loose on a big night out in the city with your closest mates. Unleashing their devastating blend of spiky electro-pop across 11 bonafide bangers, Karen O and co captured the sound of what it’s really like to realise that it’s 2AM and you’re still searching for a final pint that you almost certainly don’t need. Off with heads and on with the hangover, probably.
Nick Reilly
Listen: Spotify | Apple Music
Jacques Green
‘Dawn Chorus’ (2019)
Time this listen perfectly and youâre due for a startling awakening. The Canadian producerâs second album âDawn Chorusâ starts off pretty hectic â the opening screech of âSerenityâ and the sleek house of âNight Serviceâ â but this collection eventually mellows out, gently filling the silences of the dead of night and by the time the albumâs final songs form, the rising sun starts to peek through and chirping birds awaken bleary eyes.
Thomas Smith
Listen: Spotify | Apple Music
Grace Jones
‘Nightclubbing’ (1981)
In 1981, NME writers voted Grace Jonesâ new wave, synth-pop, reggae and dub-influenced fifth album the yearâs very best â and the icon-making recordâs retained every inch of its noirish glamour in the near-four decades since. With discoâs popularity waning, Jones â always one step ahead â jetted off to the Bahamas to breeze her way through original new wave belters âPull Up To The Bumperâ and âArt Groupieâ, as well as covers of Bill Withersâ hopelessly sexy âUse Meâ and Bowie and Iggyâs âNightclubbingâ, all aided by reggae legends Sly & Robbie. Exacerbated by Jonesâ new androgynous look, which sent shockwaves through the fashion world, the record aches with late-night cool.
Jordan Bassett
Listen: Youtube
Massive Attack
‘Mezzanine’ (1998)
A landmark record in trip-hop, the noir-drenched sounds of âMezzanineâ have soundtracked countless moments of drama, sorrow and suspense in film and TV since its release in 1998. Creating that rare feeling of both space and intimacy, the likes of âAngelâ, âTeardropâ, âInertia Creepsâ, âDissolved Girlâ and âBlack Milkâ make this album the perfect companion for drifting into the witching hour and beyond.
Andrew Trendell
Listen: Spotify | Apple Music
Burial
‘Untrue’ (2007)
Like Londonâs urban foxes, âUntrueâ, the masterpiece of a second album by Burial, only comes out at night. Itâs an album that feels like it exists in the very fabric of the south London streets on which it was created â glitchy, deconstructed vocal samples rub against beats that hold hands with UKG, jungle and techno in a cocktail that only feels at home after dark. Burial is said to have (literally) road tested the songs on âUntrueâ by driving around the capital at night and seeing how they fitted in with the grey metropolis. On the finished product, it’s impossible to disentangle the two.
Will Richards
Listen: Spotify | Apple Music
Alexandra Savior
‘The Archer’ (2020)
An entrancing capsule of gorgeously rich, yet soporific soft rock, Alexandra Saviorâs second full-length effort feels like it was crafted with the intention of being listened to at the witching hour. âThe Archerâ sees the American vocalist at her most instantly compelling, blending effortlessly smoky, echo-drenched vocals with a wash of piano-led arrangements to induce a dreamlike state in the listener. The results are deeply felt, and the melodies are so beautifully done that the fact that the whole album creeps along at the same, glacial pace scarcely matters. The perfect aural companion for those sleepless nights.
Sophie Williams
Listen: Spotify | Apple Music
Coldplay
‘Ghost Stories’ (2014)
There is a chilliness to Coldplayâs sixth studio album that many took to be some kind of pretentious reinvention, but in fact was the product of deep catharsis, the result of Chris Martin wrestling through the grief of a divorce by entirely changing the bandâs sound. The usual showy guitar and crashing percussion takes a backseat, here building a somewhat robotic world full of synthesisers and drum pads instead, indie rock making way for ambient electronics. Itâs a perfect nighttime album because of its whispered, slow intensity – the sort you wind down with, the sort of quiet and curious record that is so sad, so deep, that it only dares out to come out at night when the rest of the world has fallen asleep.
Ella Kemp
Listen: Spotify | Apple Music
Frank Ocean
‘Endless’ (2016)
Often unfairly overlooked due to it being released a day before Frankâs legitimate masterpiece âBlondeâ – and sure, being only available for a long time as an Apple Music visual album didnât help – âEndlessâ is the perfect soundtrack to nodding off. In fact, the album itself feels very much like a vivid fever dream, such is its fragmented, impressionistic quality. 21 tracks in just 45 minutes (some songs not even reaching the 1 minute mark), the record feels like a collection of sketches, a collage of ideas, with songs that drift in, meander, quietly seep into your pores before suddenly escaping from view, like a dream you canât quite recall.
Luke Morgan Britton
Listen: Apple Music
The XX
‘XX’ (2009)
Thereâs surely no contest â for the hours spent alone in house and head, it doesnât come much better than The XXâs 2011 debut. Sparse and atmospheric, the delicate vocal trade of Romy Madley-Croft and Oliver Sim serves multiple purpose – on the right night, the sensual percussion of âCrystalisedâ could woo any lover, while âShelterâ offers a lonely listener some personal safety in sound. And then we have âNight Timeâ itself, the song to launch a thousand ill-advised scrolls through your exâs social media before deciding that sod it, maybe you will head out to the club after all. Like jump-scare movies or JĂ€gerbombs, The XX are an entity best served after dark.
Jenessa Williams
Listen: Spotify | Apple Music
Portishead
‘Dummy’ (1994)
Thanks to its louche rhythms, laid-back vocals and blues-flavoured licks, Portisheadâs debut is considered a chillout classic by many. But mention that to the Bristol rockers in-person and youâll get a funny look. âWhen people say that, I find it bizarre,â band member Adrian Utley told the Observer last year, before claiming âDummyâ had more in common with Nirvana. Now, that may be a stretch, but there is a cinematic quality to the albumâs post-modern electronica that makes it sound like the soundtrack to a movie set in a smoky nightclub. Grunge classic? No â but this dark, strange record is perfect as the sonic backdrop to your next psychedelic-fuelled midnight jaunt.
Alex Flood
Listen: Spotify | Apple Music
Jon Hopkins
‘Singularity’ (2018)
Jon Hopkinsâ fifth studio album is a thing of wonder. The cinematic record could soundtrack every aspect of night-time life. Opener and title track ‘Singularity’ is a siren call to the dancefloor, while the skittering âC O S Mâ is the sound of driving through a city in the early hours of the morning â the ethereal âLuminous Beingsâ, meanwhile, is for waking up when itâs still dark, the smell of spring in the air, and the euphoric âFeel First Lifeâ sounds like the first greedy breaths of fresh air after leaving a club and emerging into the outside world. Itâs a glorious, hypnotising release â one tailor made for late night and early morning listening.
Hannah Mylrea
Listen: Spotify | Apple Music
SĂ©bastien Tellier
‘Sexuality’ (2008)
Wouldnât it be nice to be leaning on the gilded railings of a juliet balcony right now, overlooking the sprawling rooftops of Paris? Potentially accessorised with a cigarette and some description of silken dressing gown, and the leftover crumbs of a heartily enjoyed croissant? Emerging from semi-lockdown, it sounds like the dream â and often, I find myself sticking on Sebastien Tellierâs slinky 2008 synth-pop record âSexualityâ to conjure up a bit of French discotheque mystique. Itâs impossible, in fact, to overstate how very French this record is. Raunchy, near-orgasmic groans punctuate the absolutely NSFW (and probably not suitable for home working, either) âKilometerâ and âPommeâ. âSexual Sportswearâ sounds like Kraftwerkâs painstaking machinery having a looser-limbed night off. Itâs slinking and sleazy, in the best possible way. Once those opening pulses of opener âRocheâ kick into life, Iâm right there. My particularly smoggy road is now a spacious, tree-lined boulevard. The partial glimpse of Crystal Palaceâs transmitting pylon out the bathroom window? May as well be the Eiffel Tower, hun.
El Hunt
Listen: Spotify | Apple Music
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