The first album I bought
The Beautiful South â ‘Welcome To The Beautiful South’
âMy mum bought me it, actually. Yeah, it’s a great album, but on the cover there’s a woman with a gun in her mouth. What was she trying to say? It was a happy childhood… But seriously, I’ve been a massive, massive Beautiful South fan ever since. Paul Heaton is just stunning. The way he puts poetry to such catchy music really inspires me, because sometimes it feels like as a working-class person you’re not supposed to have those yearnings.”
The first gig I ever went to
Voice Of The Beehive â Liverpool University, 1988
“My mate said they were playing at a club, which made me think: nightclub. My sister, who did fashion design, had made a suit for a guy three times bigger and taller than me, so I nicked it to wear to the gig. And then when I got there, I was mistaken for a junior record executive because I was wearing a bloody suit! I ended up in the mosh pit and someone nicked my watch, but I convinced myself that the singer [Melissa Brooke Belland] was singing the songs directly to me. I was like, ‘She’s falling for me! Sheâs falling for me!’ And of course she wasn’t.”
The song I wish Iâd written
The Pogues feat. Kirsty MacColl â âFairytale Of New Yorkâ
âWhat I love about this song â and I don’t know if this is my art school background â is that it messes with the norm. It’s the most genius anti-Christmas song, but there’s something about it, oddly, that people have really connected with. It’s just a song about a couple having a row, but at the same time I think it’s a sort of working-class anthem that says: âLives ain’t perfect.â Over the years itâs become part of my Christmas soundtrack and will be for life now.â
The song that makes me want to dance
Deee-Lite â âGroove Is In The Heartâ
âI reached a point many years ago where I realised I canât dance for toffee. My greatest gift to mankind was to stop dancing. Iâd be in clubs and thereâd be a circle around me â and it wasnât out of admiration. I much prefer sitting down and laughing at other people who canât dance â itâs cruel, itâs wrong, but it has to be done. âGroove Is In The Heartâ is the one song I make an exception for. If Iâm at your event and you want me to get up and dance, this is the song to play.â
The song I can no longer listen to
Green Day â âWake Me Up When September Endsâ
“This is almost a trigger track for me. If I hear it, it will put me in a very specific emotional place. In a way it’s a song about hope, but it takes me right back to a very unhappy point in my life. If I hear it, it just makes me want to down tools for the day and go to the pub.â
The song I want played at my funeral
The Proclaimers â ‘I’m On My Way’
“I’ve decided that as I’m carried out of the church in my coffin, I want this song playing because it’s so uplifting. I want my funeral to be a celebration and a little bit irreverent. I want the message to be: ‘I’m not going away â I’m just going somewhere else, somewhere better.â”
The song I play while I’m potting
The Mamas & The Papas â ‘Twelve Thirty (Young Girls Are Coming To The Canyon)’
“I’ve just had a kiln fitted and I really want to get back into my potting. Picture it: I drop the mike, walk off stage and think to myself: ‘If only I was at home making a teapot.â If I wanted to throw [some clay], Iâd put this song on because there’s something in the rhythm that would chill me out but feel joyful at the same time. And that would stop me from beating myself up if my pottery work turns to shit.”
The song I do at karaoke
Neil Diamond â âLove On The Rocksâ
âIâm a terrible singer but this is a song you can really put some passion into. I actually went through a phase of thinking I sounded a bit like Neil Diamond, which is a terrible affront to Neil Diamond in hindsight. But itâs a weird thing, karaoke: anyone who can sing ruins it because itâs not there for them. Those people have got the X-factor.â
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