Hollywood composer Richard Horowitz dies aged 75

His work on the soundtrack to ‘The Sheltering Sky’ with Ryuichi Sakamoto earned the pair a Golden Globe

The post Hollywood composer Richard Horowitz dies aged 75 appeared first on NME.

NME

Acclaimed Hollywood composer Richard Horowitz has died aged 75.

The news was announced by his wife, the Iranian composer and singer Sussan Deyhim. She wrote that Horowitz passed away on April 13, calling him a “musical maverick, father, partner, lover, collaborator, friend, and singular human”.

“For those of you who didn’t know, he was diagnosed with Parkinson’s in 2021 and relocated to Morocco to live out the remainder of his life in a country he adored,” she wrote. “He was lovingly cared for by Sussan Deyhim, his partner in life and music of over 40 years, and was visited regularly by his daughter, Tamara Melnik and his grandchildren, as well as a coterie of nurses who were all kind to him.

“Much can be said about the musical legacy he left — including but not limited to, the co-creation of the Gnawa festival in Essaouira and countless awards — but he was much more than that to so many people. A seeker, a master linguist (most especially fond of a good double entendre), a master pianist and ney player, a humorist, trickster, a loving partner, father, and grandfather, sometimes a critical snob, a traveler and world citizen who believed in our shared humanity. He will be missed beyond measure or time and we ask that he continue to guide us in the melody and tone of the universe.”

Born in Buffalo, New York in 1949, Horowitz studied electronic music in Paris and the ney (a traiditional flute) in Morocco during the 1970s. After releasing a series of albums featuring the ney in the late 1970s and early 1980s, Horowitz would go on to discover two important creative partners: future wife Deyhim, and Jon Hassell.

Hassell and Horowitz toured together and created records such as ‘Power Spot’, whilst Horowitz released his official debut album ‘Eros in Arabia’ in 1981 under the pen name Drahcir Ztiworoh, receiving critical acclaim.

From there, Horowitz went on to collaborate with musicians such as David Byrne and Brian Eno, and also worked with Ryuichi Sakamoto on the soundtrack for romance film The Sheltering Sky (1990). Their work earned them a Golden Globe for Best Original Score.

Horowitz also co-founded the Gnawa and World Music Festival in Essaouira in 1998, and went on to score Oliver Stone’s 1999 sports thriller Any Given Sunday.

The post Hollywood composer Richard Horowitz dies aged 75 appeared first on NME.

Hollywood composer Richard Horowitz dies aged 75

His work on the soundtrack to ‘The Sheltering Sky’ with Ryuichi Sakamoto earned the pair a Golden Globe

The post Hollywood composer Richard Horowitz dies aged 75 appeared first on NME.

NME

Acclaimed Hollywood composer Richard Horowitz has died aged 75.

The news was announced by his wife, the Iranian composer and singer Sussan Deyhim. She wrote that Horowitz passed away on April 13, calling him a “musical maverick, father, partner, lover, collaborator, friend, and singular human”.

“For those of you who didn’t know, he was diagnosed with Parkinson’s in 2021 and relocated to Morocco to live out the remainder of his life in a country he adored,” she wrote. “He was lovingly cared for by Sussan Deyhim, his partner in life and music of over 40 years, and was visited regularly by his daughter, Tamara Melnik and his grandchildren, as well as a coterie of nurses who were all kind to him.

“Much can be said about the musical legacy he left — including but not limited to, the co-creation of the Gnawa festival in Essaouira and countless awards — but he was much more than that to so many people. A seeker, a master linguist (most especially fond of a good double entendre), a master pianist and ney player, a humorist, trickster, a loving partner, father, and grandfather, sometimes a critical snob, a traveler and world citizen who believed in our shared humanity. He will be missed beyond measure or time and we ask that he continue to guide us in the melody and tone of the universe.”

Born in Buffalo, New York in 1949, Horowitz studied electronic music in Paris and the ney (a traiditional flute) in Morocco during the 1970s. After releasing a series of albums featuring the ney in the late 1970s and early 1980s, Horowitz would go on to discover two important creative partners: future wife Deyhim, and Jon Hassell.

Hassell and Horowitz toured together and created records such as ‘Power Spot’, whilst Horowitz released his official debut album ‘Eros in Arabia’ in 1981 under the pen name Drahcir Ztiworoh, receiving critical acclaim.

From there, Horowitz went on to collaborate with musicians such as David Byrne and Brian Eno, and also worked with Ryuichi Sakamoto on the soundtrack for romance film The Sheltering Sky (1990). Their work earned them a Golden Globe for Best Original Score.

Horowitz also co-founded the Gnawa and World Music Festival in Essaouira in 1998, and went on to score Oliver Stone’s 1999 sports thriller Any Given Sunday.

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‘Trainspotting’ actor Vincent Friell dies aged 64

Friell played the father of Kelly Macdonald’s character Diane in the 1996 film and was also well-known for starring in ‘Restless Natives’

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NME

Vincent Friell, the actor best known for his role in Trainspotting, has died at the age of 64.

The Scottish actor appeared in Danny Boyle’s 1996 film playing the father of Kelly Macdonald’s character Diane. His other credits include the 1985 cult classic Restless Natives, in which he played Will ‘The Wolfman’

The news was confirmed by his agent, who said he died “unexpectedly in hospital” on April 14. “There has been an outpouring of love from actors, directors, writers, creatives and crew who admired his work as a gifted actor and loved him as a gentle, kind, warmhearted friend with a fantastic wit and humour.”

Tributes have been paid to Friell from across the entertainment world.

Rab C. Nesbitt creator Ian Pattison spoke fondly of the actor after he appeared on a 1992 episode of the comedy show, saying: “His passing has come as a huge shock to his many friends and work colleagues. What comes over clearly is how respected Vince was, not only as an actor but as a funny, sensitive and caring human being.” [via the Independent].

Meanwhile, former radio presenter Ronnie McGhie said: “I’m totally shocked to hear that Scottish actor Vincent Friell has passed away.

“He was in many programmes, but it’s his performance in the movie Restless Natives that he’ll be remembered for. A wonderful film. My thoughts are with his family and friends. Vincent, you shall be missed.”

Friell is survived by his wife Alana and their two children.

The post ‘Trainspotting’ actor Vincent Friell dies aged 64 appeared first on NME.

‘Trainspotting’ actor Vincent Friell dies aged 64

Friell played the father of Kelly Macdonald’s character Diane in the 1996 film and was also well-known for starring in ‘Restless Natives’

The post ‘Trainspotting’ actor Vincent Friell dies aged 64 appeared first on NME.

NME

Vincent Friell, the actor best known for his role in Trainspotting, has died at the age of 64.

The Scottish actor appeared in Danny Boyle’s 1996 film playing the father of Kelly Macdonald’s character Diane. His other credits include the 1985 cult classic Restless Natives, in which he played Will ‘The Wolfman’

The news was confirmed by his agent, who said he died “unexpectedly in hospital” on April 14. “There has been an outpouring of love from actors, directors, writers, creatives and crew who admired his work as a gifted actor and loved him as a gentle, kind, warmhearted friend with a fantastic wit and humour.”

Tributes have been paid to Friell from across the entertainment world.

Rab C. Nesbitt creator Ian Pattison spoke fondly of the actor after he appeared on a 1992 episode of the comedy show, saying: “His passing has come as a huge shock to his many friends and work colleagues. What comes over clearly is how respected Vince was, not only as an actor but as a funny, sensitive and caring human being.” [via the Independent].

Meanwhile, former radio presenter Ronnie McGhie said: “I’m totally shocked to hear that Scottish actor Vincent Friell has passed away.

“He was in many programmes, but it’s his performance in the movie Restless Natives that he’ll be remembered for. A wonderful film. My thoughts are with his family and friends. Vincent, you shall be missed.”

Friell is survived by his wife Alana and their two children.

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Creating sexually explicit “deepfake” images to become a crime in the UK

Anyone making explicit images of an adult without their consent will face a criminal record and an unlimited fine

The post Creating sexually explicit “deepfake” images to become a crime in the UK appeared first on NME.

NME

The creation of sexually explicit “deepfake” images is to be made a criminal offence in England and Wales.

Deepfakes are created using artificial intelligence (AI) to make a photo or video of someone by manipulating their face or body.

In recent years, many have imposed the faces of celebrities into pornographic films or images, as happened to Taylor Swift earlier this year. 

Now, the government says a new law will be created and anyone making explicit images of an adult without their consent will face a criminal record and an unlimited fine. The Ministry of Justice said this will apply regardless of whether the creator of the image intended to share it.

Under the Online Safety Act, which was passed last year, the sharing of deepfakes was made illegal.

The new law will make it an offence for someone to create a sexually explicit deepfake – even if they have no intention to share it but “purely want to cause alarm, humiliation, or distress to the victim”, The Ministry Of Justice said (via BBC).

The law will be introduced as an amendment to the Criminal Justice Bill, which is currently making its way through Parliament.

Minister for Victims and Safeguarding Laura Farris said it would send a “crystal clear message that making this material is immoral, often misogynistic, and a crime.”

“The creation of deepfake sexual images is despicable and completely unacceptable irrespective of whether the image is shared,” she added.

“It is another example of ways in which certain people seek to degrade and dehumanise others – especially women. And it has the capacity to cause catastrophic consequences if the material is shared more widely. This Government will not tolerate it.”

Taylor Swift performs onstage during the Taylor Swift | The Eras Tour at NRG Stadium on April 21, 2023 in Houston, Texas. (Photo by Bob Levey/TAS23/Getty Images for TAS Rights Management)

Following what happened to Swift earlier this year, numerous US politicians said there was need for legislation to catch up with advancements in AI technology. 

There are currently no federal laws in the US prohibiting the sharing or creation of deepfakes, but some states have made advancements in creating legislation to tackle the issue.

US Representative Joe Morelle called the spread of the pictures “appalling” and encouraged urgent action to be taken.

He said the images and videos “can cause irrevocable emotional, financial, and reputational harm – and unfortunately, women are disproportionately impacted”. Morelle had also been involved with the proposed Preventing Deepfakes of Intimate Images Act, which would have made it illegal to share deepfake pornography without consent.

“What’s happened to Taylor Swift is nothing new,” Democratic Rep Yvette D Clarke posted on X, adding that women had been targeted by the technology “for years”, adding that with “advancements in AI, creating deepfakes is easier & cheaper”.

Republican Congressman Tom Kean Jr agreed, saying that it is “clear that AI technology is advancing faster than the necessary guardrails”.

“Whether the victim is Taylor Swift or any young person across our country, we need to establish safeguards to combat this alarming trend,” he added.

The CEO of Microsoft also spoke out against the deepfakes of Swift.

Satya Nadella said in an interview with NBC News: “First of all, absolutely this is alarming and terrible, and so therefore yes, we have to act, and quite frankly all of us in the tech platform, irrespective of what your standing on any particular issue is — I think we all benefit when the online world is a safe world.”

“I don’t think anyone would want an online world that is completely not safe for both for content creators and content consumers. So therefore I think it behooves us to move fast on this.”

Social media platform X temporarily blocked Swift‘s name from being searched for time after the images went viral. 

The graphic AI images of Swift were also reportedly linked to a 4chan chatroom challenge.

The post Creating sexually explicit “deepfake” images to become a crime in the UK appeared first on NME.

Creating sexually explicit “deepfake” images to become a crime in the UK

Anyone making explicit images of an adult without their consent will face a criminal record and an unlimited fine

The post Creating sexually explicit “deepfake” images to become a crime in the UK appeared first on NME.

NME

The creation of sexually explicit “deepfake” images is to be made a criminal offence in England and Wales.

Deepfakes are created using artificial intelligence (AI) to make a photo or video of someone by manipulating their face or body.

In recent years, many have imposed the faces of celebrities into pornographic films or images, as happened to Taylor Swift earlier this year. 

Now, the government says a new law will be created and anyone making explicit images of an adult without their consent will face a criminal record and an unlimited fine. The Ministry of Justice said this will apply regardless of whether the creator of the image intended to share it.

Under the Online Safety Act, which was passed last year, the sharing of deepfakes was made illegal.

The new law will make it an offence for someone to create a sexually explicit deepfake – even if they have no intention to share it but “purely want to cause alarm, humiliation, or distress to the victim”, The Ministry Of Justice said (via BBC).

The law will be introduced as an amendment to the Criminal Justice Bill, which is currently making its way through Parliament.

Minister for Victims and Safeguarding Laura Farris said it would send a “crystal clear message that making this material is immoral, often misogynistic, and a crime.”

“The creation of deepfake sexual images is despicable and completely unacceptable irrespective of whether the image is shared,” she added.

“It is another example of ways in which certain people seek to degrade and dehumanise others – especially women. And it has the capacity to cause catastrophic consequences if the material is shared more widely. This Government will not tolerate it.”

Taylor Swift performs onstage during the Taylor Swift | The Eras Tour at NRG Stadium on April 21, 2023 in Houston, Texas. (Photo by Bob Levey/TAS23/Getty Images for TAS Rights Management)

Following what happened to Swift earlier this year, numerous US politicians said there was need for legislation to catch up with advancements in AI technology. 

There are currently no federal laws in the US prohibiting the sharing or creation of deepfakes, but some states have made advancements in creating legislation to tackle the issue.

US Representative Joe Morelle called the spread of the pictures “appalling” and encouraged urgent action to be taken.

He said the images and videos “can cause irrevocable emotional, financial, and reputational harm – and unfortunately, women are disproportionately impacted”. Morelle had also been involved with the proposed Preventing Deepfakes of Intimate Images Act, which would have made it illegal to share deepfake pornography without consent.

“What’s happened to Taylor Swift is nothing new,” Democratic Rep Yvette D Clarke posted on X, adding that women had been targeted by the technology “for years”, adding that with “advancements in AI, creating deepfakes is easier & cheaper”.

Republican Congressman Tom Kean Jr agreed, saying that it is “clear that AI technology is advancing faster than the necessary guardrails”.

“Whether the victim is Taylor Swift or any young person across our country, we need to establish safeguards to combat this alarming trend,” he added.

The CEO of Microsoft also spoke out against the deepfakes of Swift.

Satya Nadella said in an interview with NBC News: “First of all, absolutely this is alarming and terrible, and so therefore yes, we have to act, and quite frankly all of us in the tech platform, irrespective of what your standing on any particular issue is — I think we all benefit when the online world is a safe world.”

“I don’t think anyone would want an online world that is completely not safe for both for content creators and content consumers. So therefore I think it behooves us to move fast on this.”

Social media platform X temporarily blocked Swift‘s name from being searched for time after the images went viral. 

The graphic AI images of Swift were also reportedly linked to a 4chan chatroom challenge.

The post Creating sexually explicit “deepfake” images to become a crime in the UK appeared first on NME.

‘Even Stevens’ star Christy Carlson Romano finds Nickelodeon doc “extremely triggering”

The actor has shared her opinion on the series and documentary filmmaking in general

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NME

Even Stevens star Christy Carlson Romano has shared her thoughts on the recent documentary, Quiet On Set: The Dark Side Of Kids TV.

The docu-series, which aired last month, explored the makings of several Nickelodeon kids television shows, with a particular focus on Dan Schneider’s time as a producer and show runner.

The series detailed the alleged patterns of abuse which were reportedly happening at the time within Nickelodeon, and featured interviews from former child stars who appeared on the network’s various shows.

One of the series’ most prominent moments was when Drake Bell revealed that he had allegedly suffered sexual abuse at the age of 15, by dialogue coach Brian Peck.

Now, Romano – who played Renee ‘Ren’ Stevens on Even Stevens – has weighed in on the heavily reported documentary, calling it “extremely triggering”.

Drake Bell. CREDIT: Michael Tran/Getty Images

Speaking on Mayim Bialik’s Breakdown podcast, the 40-year-old actor said: “I’ve made a choice for several reasons to opt out of watching that imagery.”

She revealed how the network who aired the documentary, Investigation Discovery, even approached her for a similar subject, but she declined: “I’ve chosen not to speak about this with anybody, including ID, who originally came to me looking to see if I’d be interested in a doc like this.”

She explained: “I don’t know if it was this doc. But I was approached when I first started advocating three years ago for my own YouTube channel with my own experiences that I did in different and separate episodes, so to speak.”

Romano, who also voiced the titular character on Disney Channel’s Kim Possible, continued: “I started to be approached by many reality-show-type producers, and they were like, ‘Hey, how do we do this?’ and I would combat them with saying, ‘Hey, guys, the only way we would do this is if we talk about how do we fix it?’”

She elaborated on how her background informs her opinion: “I actually have a degree from Columbia in film, and you know, we know that the art of montage and the collision of images is going to incite a certain kind of emotion.”

She added: “That is what documentary filmmaking in social movements is meant to do. And so we’re so manipulated by media, and we have so many little cut-downs of misinformation and things being thrown, that the echo chambers, to me, are not helpful.”

“These are people who don’t belong to our community,” she explained. “These are outsiders. And maybe they, maybe if they knew where to put money towards [fixing] a problem, they would, but again, a lot of this has been perceived in a way that’s – it’s outside baseball. It’s not inside baseball, it’s outside baseball. These are trauma tourists.”

Meanwhile, Bell has called Nickelodeon’s response to the documentary “pretty empty”. He said: “If there was any truth behind them actually caring, there would be something more than quotes on a page by obviously a legal representative telling them exactly how to tailor a response.”

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Teen jailed for Isle Of Wight Festival terror plot

The attack was allegedly planned for July 2022

The post Teen jailed for Isle Of Wight Festival terror plot appeared first on NME.

NME

A 16-year-old boy from Cowes has been sentenced to jail for seven years after he was found plotting a potential attack at Isle of Wight Festival.

In February, the boy (who cannot be named for legal reasons) was found guilty of preparation of terrorist acts at Kingston Crown Court. He was also found guilty on three counts of dissemination of terrorist publications and possessing a bladed article in a public place.

The FBI uncovered messages from the boy that revealed he was allegedly planning to attack the festival in July 2022, with his Internet search queries reportedly including: “gun Isle of Wight”, “fast lorry”, “how many people are going to Isle of Wigh [sic] fest”, “Isle of Wight Festival gate” and “Isle of Wight Festival gate names”.

The boy also obtained a knife in July 2022, and had previously searches for weapons, vehicles, and stab vests.

Isle Of Wight Festival 2021. Credit: Dylan Roberts.

The court also previously heard the Isle of Wight festival was dismissed as a potential location for the attack as he did not own a car or vehicle. Instead, the boy planned to stab those who worked with him at his specialist education provider, as he believed they had insulted Islam.

Prosecutor Serena Gates went on to claim the boy converted to Islam in late 2021 and developed an “Islamic extremist mindset”. One tutor reported that the boy had a picture of Osama bin Laden as his phone wallpaper a year and a half before he was arrested. However, the tutor was not concerned, as the boy “was often trying to shock people with what he said”.

The boy was eventually arrested by terrorism officers with the help of Hampshire police on 11 July 2022, and was found to be carrying a knife.

As the sentence was handed down, Mrs Justice McGowan said to the boy: “You are intelligent and you have the potential to make something good with your life.

“You thought about killing two people who had offended you and your religion but both had tried to help you.”

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Belgian premiere for Kristen Stewart film, ‘Love Lies Bleeding’, ruined by homophobic violence

“We were afraid for our lives”

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NME

An incident broke out at the Brussels premiere of Love Lies Bleeding on Saturday (April 13).

During a screening of Rose Glass’ latest film, starring Kristen Stewart, a mass walkout occurred following a barrage of abusive comments.

According to Variety, more than 60 people left the premiere, which took place at Brussels International Fantastic Film Festival (BIFFF), and screening organisers reported at least three instances of physical violence.

The romantic thriller film, which was produced by A24, follows the relationship between a gym manager and an ambitious bodybuilder. In a four-star review, NME wrote: “Rose Glass, who co-wrote the film with Weronika Tofilska, has delivered a brilliant noir packed with those great pulp ingredients: sex, drugs and violence.”

As reported by Variety, some attendees described how “homophobic heckles and jeers” during the films’s sex scenes, and a scene portraying sexual coercion reportedly “drew applause.”

One attendee, Elina Fischer, told Variety: “Things spun wildly out of hand.” Describing their experience as “traumatic and horrible,” they added: “We were afraid for our lives, because the kinds of people who say such things during a film screening are the kinds of people who assault us. So we got scared and had to get out.”

Katy O’Brian and Kristen Stewart in ‘Love Lies Bleeding’. Credit: A24

Fischer explained the significance of the film and its relation to the incident that unfolded: “This film represents us. It was made for and by our community, so to have our experience ruined by homophobes is terrible.”

They added: “We all feel very sad, shocked and angry, because we feel that our position cannot exist without attack. [The fight against] homophobia still has a long way to go.”

A longer statement, which included some of the attendees’ worst moments from the event and shared with Variety read: “We know the difference between standard jokes and lesbophobic insults and commentary.”

The statement continued: “When audience members applaud during [what we feel to be] a rape scene, when they pantomime masturbation and catcall the actresses on screen by shouting ‘get naked,’ ‘she wants cock,’ ‘disgusting,’ and ‘dirty dykes’ at the slightest scene of lesbian intimacy, once spectators stand up to leave the theatre or ask for respect, only to be booed, insulted and physically assaulted, and once dozens of lesbians leave the theatre in tears, dirtied, degraded and shocked, we can’t speak of a ‘good-natured’ atmosphere.”

The first people reportedly walked out around 20 minutes into the movie, while some attendees remained to confront the hostile commentary coming from some audience members.

Another attendee described how insults were hurled at them once they had decided to leave. “It became something much nastier. Violent. We were overwhelmed, crying and we said to each other that this wasn’t normal.”

Following the walkouts, the incident became even more serious, with around 60-80 people gathering in the cinema lobby to protest the event itself. Attendees reportedly asked that the show be cut short instead of the distribution of admission refunds. However, festival organisers did not agree to the request, and the protest intensified, before being broken up by local law enforcement.

Attempting to impact the screening inside the cinema from the lobby, the aforementioned attendee explained: “We shouted so that they could hear us inside too, to spoil their experience of the film a bit, just as they had spoiled ours.”

BIFFF’s Jonathan Lenaert spoke on the incident: “We had programmed this film specifically because it touched on the LGBT community. We thought it was great that [this kind of] fantasy filmmaking was also opening to this community, giving us the perfect opportunity to welcome a new audience to our festival.”

He continued: “We have a duty to contextualise. To make sure that all communities feel welcome and on the same footing. The humour in the room should never be targeted and mean spirited, and all exceptions are intolerable.”

Lenaert added: “To be frank, a gram of shit will spoil a kilo of caviar, and right now, we’re going to do everything we can to remove that gram of shit. We will take direct measures: If someone makes inappropriate comments, they’ll be immediately thrown out.”

The following day, BIFFF released a statement apologising to the audience for “discriminatory remarks against any community” and calling Saturday’s events “unacceptable”.

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DJ couple Kim Ann Foxman and Cora attacked in suspected hate crime

“We can’t help but feel how being a visibly affectionate queer Asian female couple played into this”

The post DJ couple Kim Ann Foxman and Cora attacked in suspected hate crime appeared first on NME.

NME

DJ couple Kim Ann Foxman and Cora have been attacked in a suspected hate crime.

In a post on social media, New York-based Foxman and Berlin-based DJ Cora said they were assaulted on April 5th, calling it a “disturbing and violent” incident.

Foxman alleged the attack began as they were walking in Berlin to celebrate their one-year anniversary, “when a young woman walking past us reached out and grabbed Cora’s crotch, completely unprovoked.”

“When Cora turned around to confront the woman, asking why she touched her, without pause, the woman immediately lunged at Cora, throwing punches to her face” and knocking Cora down. According to Foxman, the woman was walking with a man who “joined in”, beating Foxman “to the ground” and kicking her “in the back and legs”.

Foxman then recalled the pair tried to call for help, with Foxman resorting to recording their attackers when no one was willing to help. She said recording them “pissed” them off: “Instead of walking away, they punched me again, shoved me to the ground, and repeatedly kicked me (again).”

Continuing in the comments, Foxman said: “We can’t help but feel how being a visibly affectionate queer Asian female couple played into this. From the moment that woman placed her hands on Cora in a sexual manner, it was undoubtedly linked to our sexual identity. That is why we feel like a police report is not enough, and furthermore, those systems uphold the injustices that made us vulnerable to begin with.

“Our queer, rave, and Asian communities need to hear from us directly. Please be extra careful out there.”

In a comment to Mixmag, Foxman further said: “We are so grateful for the outpouring of support since we talked about it online. We are navigating doctors’ offices and legal advice while simultaneously just trying to process that this actually happened to us.

“Our post has sparked so much dialogue, including how even our most out and proud cities struggle to protect their queer citizens,” she continued. “We hope the pressure will help the Berlin authorities know the community cares we get justice.”

For help, advice or more information regarding sexual harassment, assault and rape in the UK, visit the Rape Crisis charity website. In the US, visit RAINN. 

 

The post DJ couple Kim Ann Foxman and Cora attacked in suspected hate crime appeared first on NME.

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