Believe it or not weâre already halfway through 2021 â another seriously weird year for film that sometimes feels like it hasnât gotten started yet. The pipeline might still be clogged with a lot of big-name movies, but the first six months have already given us plenty to get excited about if you know where to look. Monster-sized blockbusters have slipped out on demand, Oscar-winners have sneaked quietly into watchlists and little landmark indies have been the ones selling the most popcorn as movie schedules start reshuffling back into place.
There might be a lot more still to come, but 2021 is already shaping up into another bumper year for film. Hereâs our pick of the best so farâŠ
A Quiet Place Part II
Director: John Krasinski
It seems fitting that the movie that was advertised on faded bus posters for at least 18 months became the first post-pandemic blockbuster. Bigger, louder and scarier than the original, John Krasinskiâs tense alien horror was a reminder of everything we missed by watching films in the bright safety our living rooms.
Best moment: A seamless single shot prologue that showed all the stuff the first film kept hidden.
Where to watch: In cinemas now
Billie Eilish: The Worldâs A Little Blurry
Director: R.J. Cutler
Long, honest and uncompromising, the best thing about R.J. Cutlerâs doc is that it barely feels like itâs scratching the surface. As real and relatable as Eilish seems herself, the film still smartly knew how much to keep buried in the subtext, painting an intimate portrait of a girl caught in the middle of a cultural phenomenon thatâs still unfolding.
Best moment: Billie freaking out and fangirling over Justin Bieber
Where to watch: Apple TV+
Bo Burnham: Inside
Director: Bo Burnham
Before the flood of comedies, horrors and poignant dramas about 2020 starts rolling in, Bo Burnham gives us the definitive lockdown movie â just one man stuck in his room with nothing but time and anxiety on his hands. Something much more interesting than stand-up, Inside is a comedy/horror/poignant drama in its own right, taking self-loathing, self-obsessed swipes at everything Insta-culture stands for, all in the form of a mad one-man musical.
Best moment: âWelcome to the internetâ making a bid to be the new soundtrack to everything (all of the time).
Where to watch:Â Netflix
Creation Stories
Director: Nick Moran
Who better to adapt Alan McGeeâs life story than Irvine Welsh â turning McGeeâs half-forgotten heyday memories of Creation Records into a Trainspotting-lite biopic full of chaos and coke. Ewan Bremner looks like heâs having a blast, director Nick Moran keeps the energy flowing, and anyone who owns a bucket hat will get weepie over the soundtrack.
Best moment: James McClelland and Leo Harvey-Elledge swaggering out as the Gallaghers at Glasgow’s hallowed King Tut’s venue.
Where to watch:Â Sky Cinema
The Father
Director: Florian Zeller
Anthony Hopkins won a well-deserved second Oscar for his heart-breaking turn in Florian Zellerâs dementia drama â a gently horrifying movie that deliberately swapped actors and scenery to give us a glimpse inside a deteriorating mind. Tender and upsetting in equal measure, itâs the kind of film that makes you want to go and hug your parents.
Best moment: Anthonyâs final breakdown, horror and acceptance, all in the space of a single scene.
Where to watch:Â In cinemas now
Godzilla vs. Kong
Director: Adam Wingard
Pushed out too early on HBO Max, if ever a film should have been saved for the big screen it was this one. Two solid hours of big monsters punching each other through neon-lit skyscrapers, Godzilla vs. Kong capped the franchise with the greatest, silliest of showdowns â throwing in a few planetary wormholes, nuclear-powered magic axes and a giant robot for good measure.
Best moment: The final Hong Kong bout. Enough to shake the paint off the walls.
Where to watch:Â In cinemas; VOD
In The Heights
Director: Jon M. Chu
Another smart summer showstopper that feels tailor-made for getting audiences dancing back into cinemas, Lin-Manuel Mirandaâs giddy New York musical makes its way to the big screen with as much old-fashioned flair as possible. Jon M. Chu whirls his camera like a dancer, Anthony Ramos dazzles in the lead, and everyone who sees it comes out crackling with the filmâs electric energy.
Best moment: A swimming pool extravaganza that looks like it took about two years to choreograph.
Where to watch:Â In cinemas now
Judas and the Black Messiah
Director: Shaka King
Making weird history at this yearâs Academy Awards for being the only film without a leading actor â both Daniel Kaluuya and Lakeith Stanfield were somehow nominated for supporting roles. In truth, both actors stole the lead in Shaka Kingâs powerhouse historical drama, with Kaluuya winning the Oscar and Stanfield running a close second as two men pulled into each otherâs orbit during the rise of the Black Panther movement.
Best moment: The moment of betrayal â and the flicker of regret that instantly follows.
Where to watch:Â In cinemas, VOD
Minari
Director: Lee Isaac Chung
Moving slowly, seemingly doing very little, Minari is a deceptively simple film â an intimate portrait of a South Korean family trying to make a living in rural Arkansas during the ’80s â yet Lee Isaac Chungâs film remains one of the most powerful films of the year so far. Boasting exceptional performances from its cast and sparingly shot with real sensitivity, itâs a film thatâs almost impossible not to fall for.
Best moment: The expression on little Alan Kimâs face when grandma (Youn Yuh-jung) shows up.
Where to watch:Â In cinemas, VOD
Nomadland
Director: Chloé Zhao
Named Best Film at this year’s Oscars, ChloĂ© Zhaoâs Nomadland is currently the one to beat in 2021. Hitting hard with independent spirit, Zhaoâs beautifully shot drama feels casually unassuming right up to the point where you realise just how affecting it really is â with Frances McDormandâs remarkable performance on the fringes of American society already one for the ages.
Best moment: Fernâs first stroll through the desert, undercut by Ludovico Einaudiâs incredible score.
Where to watch: Disney+
Palm Springs
Director: Max Barbakow
It would be heresy to try and remake a film as a good as Groundhog Day, so Max Barbakow updates it instead â giving the time-loop romcom premise a modern mumblecore makeover with an edge that somehow feels both darker and lighter at the same time. Andy Samberg and Christin Milioti bring the spikey sweetness and J. K. Simmons brings everything else.
Best moment: The perfect way to cross a wedding dancefloor, painfully rehearsed a million times before getting it right.
Where to watch:Â Amazon Prime Video
Poly Styrene: I Am A Cliché
Director: Celeste Bell, Paul Sng
’80s punk icon Poly Styrene finally gets the biopic doc she always deserved, but here her daughter, Celeste Bell, also tells her own moving story about their relationship. London punks will love revisiting the old scene, and anyone who doesnât already know X-Ray Spex will discover their new favourite band, but the real punk raw energy of the film comes from just how personal it all feels.
Best moment: Unseen early footage of Poly Styrene that shows how iconic she was before anyone even knew her name.
Where to watch:Â VOD
Promising Young Woman
Director: Emerald Fennell
Much more than just a bubblegum-popping retort to societal sexism, Emerald Fennellâs rape revenge thriller was provocative on purpose â needing to be as funny, frightening and uncomfortable to watch as it was necessary to make. As bold as Fennellâs vision is, itâs hard not to see Promising Young Woman as Carey Mulliganâs film, now worn proudly as the most iconic role of her career so far.
Best moment: That first reveal. Less shocking than the finale, but every bit as brave.
Where to watch:Â Sky Cinema
Sound Of Metal
Director: Darius Marder
A collision of perfect acting, directing, writing and sound design, Darius Marderâs drama follows the journey of a metal drummer (Riz Ahmed) who suddenly loses his hearing. Taking us inside the silence using every tech trick in the book, Marder slowly shifts the focus from whatâs been lost to whatâs being found, with Ahmed giving his best performance to date in a new modern classic that still feels essential .
Best moment: The last few silent moments, finally free from distortion.
Where to watch:Â Amazon Prime Video
Supernova
Director: Harry Macqueen
Colin Firth and Stanley Tucci play partners taking one last road trip together as the onset of dementia hangs over them like a setting sun â one last chance to cling on to as many happy memories as possible. As beautiful and as heartbreaking as it sounds, Firth and Tucci are both remarkable in a love story that smoulders with life and feeling.
Best moment: Stargazing, trying to find something that lasts.
Where to watch:Â In cinemas now
The United States vs. Billie Holiday
Director: Lee Daniels
Grammy-nominated R&B star Andra Day jumped straight in the deep end for her acting debut, playing legendary singer Billie Holiday in Lee Danielsâ sprawling biopic. Reviews were mixed on Danielsâ direction but Dayâs performance soars â earning her an Oscar nomination and marking her out as one of the most exciting new actors around.
Best moment: One devastating single-shot scene that shows the real horror of âStrange Fruitâ.
Where to watch:Â Sky Cinema
Zack Snyder’s Justice League
Director: Zach Snyder
The kind of film that inspires love, hate and nothing in between, whatever your take on Zack Snyder itâs hard to fault his ambition â recrafting a flawed franchise flop into the Gone With The Wind of superhero movies. Yes itâs long, and yes itâs a bit over the top, but ‘The Snyder Cut’ marks an important milestone in Hollywoodâs meddling relationship with its own directors, and an even bigger milestone for fandoms everywhere.
Best moment: The Flash gets a beautifully cool new intro showing off everything Snyder does best.
Where to watch:Â Sky Cinema
Words: Paul Bradshaw
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