The Killers have announced they will return to the UK and Ireland next summer for four shows â find the full list and ticket details below.
- READ MORE:Â The Killers at Mad Cool 2022: âOur new song âBoyâ is in the gutter, looking at the starsâ
The band, who released new albums ‘Imploding The Mirage’Â and ‘Pressure Machine’ within a year of each other in 2021 and 2020 respectively, played a UK stadium tour this summer before a US arena run with Johnny Marr.
In late summer 2023, they will return for a short run of dates beginning with headline sets at Reading & Leeds on the weekend of August 25-27. The festivals’ line-up was announced this morning, with the band joined as headliners by Lewis Capaldi, Foals, Billie Eilish, Sam Fender and Imagine Dragons.
After those shows, the band will then play two headline gigs, at Edinburgh’s Royal Highland Centre Showgrounds on August 29 and Belfast’s Boucher Road Playing Fields on September 1.
On September 3, the short run of gigs will then conclude with a headline set at Ireland’s Electric Picnic festival.
Tickets for the gigs go on sale at 9am GMT on Monday, December 12. You can buy your tickets here.
See the full list of dates below.
AUGUST 2023
25-27 â Reading & Leeds Festivals
29 â Edinburgh, Royal Highland Centre Showgrounds
SEPTEMBER 2023
1 â Belfast, Boucher Road Playing Fields
3 â Stradbally, Electric Picnic Festival

Brandon Flowers revealed to NME this summer that the band have been working on their next album, with the record set to be released in early 2023.
âWe just had a few days off and Stuart [Price, producer] came and visited us on the road,â he told NME. âWeâre sending things back and forth, and ideas. Iâm talking with Shawn Everett [producer] too, and itâs nice to have that combo.â
He added: âYou will hear singles this year. The full record will probably be early next year, but there will definitely be more releases this year.â
In August, they then shared a new single called ‘Boy’, which, according to Flowers, was originally written with the intention of appearing on âPressure Machineâ.
âIt was the song that took me back home and was sort of the impetus for writing âPressure Machineâ,â Flowers told NME. âWhatâs interesting is that it just didnât make it onto the record â but its absence is not a reflection of the quality of the song. It was an aesthetic decision to keep it off the record.â
He added: âThereâs an optimism to it. Itâs in the dust, itâs in the gutter, and itâs looking at the stars. Itâs writing in more of a new wave vehicle.â
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