Weezer have always been a divisive bunch. From their decision to follow-up the brash pop-rock might of their self-titled debut with 1996’s odd, introspective âPinkertonâ, the Californian four-piece have never been afraid of doing whatever they fancy.
- READ MORE:Â Weezer: âThis album is about feeling isolated, alienated and secluded â itâs perfect for nowâ
Thereâs been a covers album (2019âs âThe Teal Albumâ), homages to The Beach Boys (2016âs âWhite Albumâ) and 2007âs âRed Albumâ even saw frontman Rivers Cuomo try his hand at rap. Out later this year, âVan Weezerâ finds the band embracing stadium rock, ready for their much-hyped Hella Mega tour with Fall Out Boy and Green Day.
Live, though, the band have always stuck to the hits with a handful of crowd-pleasing covers thrown in for good measure. High-energy, high entertainment, theyâre the perfect festival band. Which begs the question: where does the recently released âOK Humanâ fit in post-COVID?
Finished during lockdown and written about Cuomoâs fear of technology, it sees the band ditch the electric guitar for a 38-piece orchestra. It is, as Cuomo told NME, âa quirky, personal, non-commercial albumâ. Perfect for these isolated times, but hardly the sort of music thatâll win over a crowd at London Stadium.
Itâs why their livestream on Saturday evening (April 17) feels so special. Taking to the Walt Disney Concert Hall and backed by the Los Angeles Philharmonic and YOLA (Youth Orchestra Los Angeles), Weezer play âOK Humanâ front to back for the first (and probably last) time.
From the organ-led opener of âAll My Favourite Songs to the drum-driven funk of âScreensâ to the understated âLa Brea Tar Pitsâ, the show celebrates quiet power. Sure, there are no crunching guitars (a Weezer staple), but things never feel subdued. The orchestra perfectly captures the playful nature of the band, especially with rock star conductor Rob Mathes leading the charge. Backing vocals from guitarists Scott Shriner and Brian Bell are allowed to shine and thereâs even a moment of headbanging from Cuomo, sitting at the piano for the excitable âAloo Gobiâ.
The swaggering âGrapes Of Wrathâ proves that the band canât help but write catchy choruses, while âNumbersâ might be the most direct song Cuomo has ever penned. Tonight, its quiet insistence to âcall on me and tell me what you needâ couldnât be warmer or more comforting.
Then, of course, the band run through some classics â albeit reworked with an orchestra. 1994’s âSay It Ainât Soâ comes across as the most poignant it’s ever sounded and a rare outing of 1996’s sweet âFall For Youâ leads into their cover of Totoâs âAfricaâ and their iconic âBuddy Hollyâ before the band call it a night without saying a word.
Tonightâs virtual concert saw Weezer once again try something entirely different â and succeed. On punter in the livestream’s comment box said: âOh no â it’s actually good. I can’t clown on them now.” That’s Cuomo and co.: defying expectations since day one.

Weezer played:
âAll My Favourite Songsâ
âAloo Gobiâ
âGrapes of Wrathâ
âNumbersâ
âPlaying My Pianoâ
âMirror Imageâ
âScreensâ
âBird With a Broken Wingâ
âDead Rosesâ
âEverything Happens For a Reasonâ
âHere Comes the Rainâ
âLa Brea Tar Pitsâ
âHeroâ
âSay It Ainât Soâ
âIsland In The Sunâ
âFalling For Youâ
âAfrica (Toto cover)â
âBuddy Hollyâ
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