The pioneering second album from the London-based avant-pop artist is a darkly nuanced look at identity and technology, where personal disasters occur at the same scale as the actual apocalypse.
yeule: <em>Glitch Princess</em>
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Peter Gabriel Debuts Nearly a Dozen New Songs at “The i/o Tour” Opener: Setlist + Video
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Xbox announces E3 conference date and time, and teases games to come
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The Matrix Resurrections Review: A Wild, Meta, Sometimes Muddled, Occasionally Transcendent Love Story
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Lana Wachowski's continuation of the franchise knows it can't match the original's glory, and embraces that. The Matrix Resurrections Review:...
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Sir Elton John will still play “the odd show” after retiring
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