Yungblud loves a cover. Heâs perfected the art of stamping his own footprint on another artistâs song and totally transforming them to make it his own. From Drake and Arctic Monkeys to Oasis and Dua Lipa, heâs given them all a Yungblud facelift, whether thatâs by adding killer pop-punk instrumentals or vocoded vocals or mashing them up with something totally unexpected. Let’s take a look back at some of Dominic Harrisonâs best ever covers, shall we?
Drake and Arctic Monkeys â ‘Best I Ever Had’ and ‘Do I Wanna Know?’
Why itâs so good: this mash up of Drake and Arctic Monkeys really shouldnât work, but with a little bit Yungblud magic itâs turned into a menacing, slow burning match made in heaven. Growing from an eerie and quiet beginning and eventually culminating in a roaring final chorus, itâs a masterclass in the ancient of the mash-up.
Best bit: Not content with only combining âBest I Ever Hadâ and âDo I Wanna Knowâ, midway way through he adds a few bars of late rapper Lil Peepâs ‘Falling Down’.
Oasis â ‘Champagne Supernova’
Why itâs so good: For this one Yungblud teamed up with pal Machine Gun Kelly via the power of the internet, the result a stripped back version of the Oasis classic as part of MGKâs Lockdown Sessions. With both artists singing from what looks like their bathrooms, and a sparse accompaniment of acoustic guitar and a big ol’ grand piano, itâs a poignant rendition of the Britpop anthem.
Best bit: Dom singing the opening line of âHow many special people change? / How many lives are living strange?â. Itâll give you goosebumps.
 Dua Lipa and Camila Cabello â ‘New Rules’ and ‘Havana’
Why itâs so good: What if Camila Cabelloâs chart-storming hit was reimagined as a pop punk banger? This Yungblud cover does just that â and he even throws in a bit of Dua Lipaâs âNew Rulesâ for good measure.
Best bit: When the drums first kick in â itâll make you wish you were in a sweaty mosh-pit ready to chuck a pint.
The Who â ‘My Generation’
Whyâs it so good? One from a couple of years ago, this roaring cover of The Whoâs âMy Generationâ was an early indicator of the huge star Yungblud was set to become.
Best bit: The seamless key change midway through â never has a keychange sounded so cool.
The Rolling Stones â ‘Wild Horses’
Whyâs it so good? Because he well and truly puts his own stamp on a stone-cold classic, making it his own with a fragile acoustic approch.
Best bit: the ethereal vocoded introduction.
The Weeknd â ‘Blinding Lights’
Whyâs it so good? The Weeknd’s synth-pop hit gets a total facelift here. Gone are the glittering electronics, in its place is stonking pop rock instrumentals combined with smoky vocals.
Best bit: When the instrumentals cut out and the layered vocals are placed front and centre â before they kick in again.
Shawn Mendes and Camila Cabello, Amy Winehouse and Travis Scott â ‘Señorita’, ‘Back to Black’, ‘Goosebumps’
Why itâs so good? Yungblud loves a mash-up, but this one could be his greatest. Performing in the Radio 1 live lounge last year joined by a full band and strings, here he fuses the three songs together, totally transforming them. Opening with 2019âs unofficial song of the summer âSeñoritaâ, he then adds in elements of Amy Winehouseâs legendary tune, before bringing Travis Scott into the mix for the bridge.
Best bit(s): The moments of âBack to Blackâ interspersed throughout.
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