âOne time when we were opening for the Pixies, I told this really bad joke,â Julia Cumming confides. âIt was our first time playing a set for a large seated crowd and I said, âThis must be what it feels like to be a movie.â I was like, âWow, that must be one of the weirdest things Iâve ever saidâ, and now Iâm saying it again.â
What might have seemed like a bizarre observation to make back in 2017 now doesnât seem so strange. Thanks to the coronavirus pandemic, we can only experience live music in the same way we would crash out to a movie or binge the latest Netflix hit â eyes glued to a screen. Bands like Cummingâs Sunflower Bean, who usually spend most of their year on the road, have been forced to pivot to one-off livestreams rather than long tours; this makes these digital shows feel more like when a new film hits a streaming service â a different kind of event.
Read more: The Big Read â Sunflower Bean: âWeâre coming at the world with a jackhammerâ
For Sunflower Beanâs âmovieâ, theyâve taken over New York venue Le Poisson Rouge. Itâs their first performance in 11 months and their first attempt at bringing their usually ferocious live energy to our digitally dependent current existence. Despite their opening with the stomping, snarling âKing Of The Dudesâ and the criminally underrated âFear Cityâ, things feel a little muted. Every artist might feed off the energy of their audience, but thatâs especially true of Sunflower Bean, whose normal gigs arenât complete without Julia ditching her bass, picking up her mic and jumping into the crowd.
This being the best band to come out of New York in the last five or so years, though, the trio (plus live keyboardist Danny Ayala) are hardly going to stay in tame territory. The swirling psych of â2013â serves as a turning point â a chance to truly blow the cobwebs off and step into a more familiar, playful presence. As Cumming and guitarist Nick Kivlen form an echo of each other, Ayala steps to the front of the stage and holds his hand to his ear, egging on an imaginary audience, before return to run in circles behind his keyboard.
Early track âRock And Roll Heathenâ keeps the momentum going, Kivlen taking on vocals and bringing a spikier, more louche spirit to the sludgy riffs. âCrisis Festâ feels like the perfect soundtrack to the last few days (and years) in America, Cumming and Kivlen rasping in unison: âA thousand men in uniform / Kicked down the doors of my concern.â
âWeâre gonna slow it down ’cause weâre really excited so weâre playing a little fast,â announces Cumming at the point in the set where the pit would normally be gagging for a little breather. The switch in pace lasts just long enough for dreamy versions of âEasier Saidâ and âI Was A Foolâ (which itself sounds pulled straight from an â80s movie soundtrack), and a special cover of Neil Youngâs âAfter The Gold Rushâ, featuring drummer Jacob Faber nailing a tender sax solo.
Thereâs no time to linger in the beauty of Sunflower Beanâs reworking, though, as a sudden burst of noise bursts through the room and Cumming instructs everyone watching at home to âget those steps in, get that dancing inâ for the showâs big finale. âCome For Meâ comes out swinging, not least when the singer bellows: âWeâre Sunflower Bean from New York City, the greatest city in the world. No pandemic can stop us, no domestic terrorist can stop us.â Latest single âMoment In The Sunâ is a gorgeous reminder of whatâs really important â cherishing our time with those we care about, especially in these dark times.

Over the last 10 months, livestream shows have presented something of a problem for artists. If you donât have the luxury of tons of funding or a gigantic fanbase, flashy production is an expense too far, but simply turning up and playing can fail to translate through a screen in the same way it does when your audience can feel every note moving through them. Sunflower Beanâs first foray into digital gigs proves that, while youâre still never going to capture the same visceral spirit of a sweaty, sticky rock show online, great music â just like a great movie â will always be able to make its power felt.
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