Manchester AO arena reportedly set to take some gigs from troubled Co-Op Live

The 23,500-capacity venue has so far postponed gigs from Peter Kay, The Black Keys, Olivia Rodrigo and others

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NME

Manchester’s AO arena is reportedly preparing to host some of the gigs scheduled for the new Co-Op Live Arena, which has faced an onslaught of issues in recent weeks.

Originally, the new arena, located opposite the Etihad Stadium, was supposed to open with performances from Peter Kay on April 23 and 24. However, following a test event with Rick Astley, the comedian’s gigs were moved to April 29 and 30 due to a failed power test. Other gigs that were set to take place at the venue were later pushed back.

Now, with uncertainty looming about when the venue will be able to overcome its “technical issues” and commence with the shows it has lined up, reports have emerged that rival Manchester venue, the AO Arena, is preparing to host some of the upcoming events initially planned for Co-Op Live.

The reports were shared by Manchester Evening News today (May 2), which reported that organisers at the AO Arena are lining up staff to host at least two shows.

These include the A Boogie Wit Da Hoodie gig, which was set to take place last night (May 1), but was cancelled after the doors opened following a “venue-related technical issue”. At time of writing, an official rescheduled date for the gig has not yet been shared, but Manchester Evening News speculates that it is being rearranged for the AO Arena this weekend (April 4).

The outlet also reported that the upcoming show by Keane may be rearranged, and looking to be held at the AO Arena instead of Co-Op Live. That being said, Keane’s show at Co-op Live (set for Sunday, May 5) is still currently listed as going ahead on the venue’s website, with no official announcement regarding the show made as of yet.

A view of the Co-op Live arena in Manchester. The £365 million venue, the biggest indoor arena in the UK. CREDIT: Peter Byrne/PA Images via Getty Images)

As per a source speaking to Manchester Evening News, the AO Arena are currently staffing “all aspects” of the venue for this weekend, including security officers, members of the box office team and food and beverage staff.

As aforementioned, the arena was supposed to open with performances from Peter Kay on April 23 and 24, but these were the first to be pushed back due to issues.

Shortly afterwards, a gig from The Black Keys (scheduled for April 27) had to be moved to May 15, and the Peter Kay shows were moved for the second time. The comic’s shows are now expected to be held on May 23 and 24. Following the second postponement, Kay shared a statement with fans, explaining that he was left “disappointed” by the news.

Initially, organisers ensured that all other shows scheduled would be going ahead as planned, however, they then told concertgoers who were already in the venue to see A Boogie Wit Da Hoodie to leave following a “venue-related technical issue”.

Later that evening, they cancelled Olivia Rodrigo’s show, once again citing the ongoing technical issues at the arena. Following the news, the pop star shared a statement with fans, saying that she was “so disappointed” by the news. A rescheduled date for both A Boogie Wit Da Hoodie and Rodrigo have yet to be announced.

Olivia Rodrigo performs live at the 3 Arena on April 30, 2024 in Dublin. (Photo by Samir Hussein/Getty Images for LIVE Nation)

Following the slew of issues facing the arena, music lovers have come forward to express their frustration at the postponements, and branded the venue as “Manchester’s own Fyre Festival”.

“We travelled like two hours… it’s just poor, if you’re gonna cancel it, cancel beforehand, so we don’t spend money on getting here,” one fan told NME. “There’s thousands of people stood outside and you cancel it half an hour after the doors were meant to be open?” added her friend. “It’s stupid.”

Another said she was left abandoned after her mother had dropped her off and drove back home, the original plan being for someone else to pick her up after 11. “It’s a two-hour drive,” she explained. “There’s nowhere for me to go.”

Initially, organisers insisted they were “not embarrassed” by the postponements, and instead focused on getting the venue up to scratch. However, just days later, news broke that Gary Roden, the boss of the new arena, had resigned amid the controversy.

Ahead of his resignation, Roden had come under fire for his comments about grassroots music venues, in which he argued that some smaller venues in the UK are “poorly run” and dismissed calls for a £1 ticket levy on all gigs arena-sized and above.

In response, Mark Davyd, CEO of the Music Venue Trust, told NME that he believed Roden’s comments were “disrespectful and disingenuous”, while also highlighting the irony of making such “ill-judged, unnecessary and misleading” remarks on the week that their own venue was forced to postpone their own launch, due to a number of logistical problems.

Artist impression of new Co-Op Live Arena in Manchester. CREDIT: Press

Since then, the Music Venue Trust (MVT) has said the new Co-Op Live Arena is “a great idea” but has urged bosses to “work in a way that secures the future of live music”.

“It’s been a tough couple of weeks for the Co-Op Live Arena, but once the venue is open everyone will forget about that, and they can look forward to attracting thousands of music fans and offering amazing experiences to them,” read a statement shared today (May 2).

“We are having discussions with all major arenas and operators, and once they’re safely open we will continue those chats with the Co-Op Live too.”

Despite the ongoing issues at the Co-Op Live Arena, its owners are planning to build “the greatest arena in the world” in London. It comes after some historic grassroots venues have been forced to close down, with many still under threat of permanent closure.

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Cher explains why she turned down a date with Elvis Presley

“Men my age or older… they’re all dead”

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NME

Cher has explained why she once turned down a date with Elvis Presley.

The pop icon, 77, spoke about why she prefers younger men during a recent appearance on The Jennifer Hudson Show.

“I’m really shy when I’m not working, and kind of shy around men,” she explained. “And the reason I go out with young men is because men my age or older – well, now they’re all dead – but before they just never… they were always terrified to approach me.”

Cher went on to agree that younger men are “bolder”, adding: “[They’re] raised by women like me.”

The conversation about the singer’s love life arose after she revealed that she once turned down a date with Elvis.

“It was because I was nervous and I knew of the people around him,” Cher told Hudson. “And it wasn’t that they were bad people, it’s just that I was kind of nervous of his reputation.”

Cher is currently in a relationship with artist and producer Alexander “A.E.” Edwards, who is 38 years old. Elsewhere in her interview with Hudson, she revealed that her partner had introduced her to 2Pac‘s music: “I was so taken aback by the depth of the words.”

In 2022, Cher spoke about Presley during an interview on The Kelly Clarkson Show.

“When I was 10 years old, my mom took me to the Pan Pacific to see Elvis. I really loved him,” she said at the time (via USA Today). “And then when I got older – not this old – but older, he invited me to Las Vegas.”

She added: “One of his people called and said, ‘Would you like to come up for the weekend?’ And I was so terrified that I couldn’t do it.

“He was on the downside of himself. And I don’t mean like handsome, [or] whatever. He was on the downside of the drugs and stuff like that.”

Cher dressed as Presley for her 2002 VH1 Divas performance in Las Vegas, Nevada where she covered ‘Heartbreak Hotel’.

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Graham Coxon and Rose Elinor Dougall’s THE WAEVE share “shining and seductive” new single ‘City Lights’ 

It marks the first single from their soon-to-be-announced sophomore album

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NME

Graham Coxon and Rose Elinor Dougall have dropped a new single as part of THE WAEVE, titled ‘City Lights’. Check it out below.

Shared this morning (May 2), the new track follows on from the release of their hit breakthrough album ‘THE WAEVE’ last year.

Capturing the same charm as in the critically-acclaimed debut, the new single sees Coxon and Dougall hone in on their already-signature sound, and capture a bold, sultry chorus.

Now your soul belongs to me/ It’ll be alright/ Out in the darkness, free to fly/ We’ll get some sleep tomorrow,” they sing at the beginning amid a high-energy riff and distorted guitars.

The track is written by the duo and produced by James Ford (Arctic Monkeys, Florence + The Machine, Foals). It also sees both members taking on singing duties, as well as keyboards, guitar, bass guitar, drums and saxophone.

“The city lights bestow a unique magic on everyone – the beautiful and the grotesque, the angels and the devils – shining and seductive, one and all… Who wants to love you and who wants to destroy you?” they said of the new single. Check it out below.

As aforementioned, ‘City Lights’ marks THE WAEVE’s first new music since they shared their eponymous first album, and later dropped a deluxe-edition, and the track is released today as the first single from their forthcoming, soon-to-be-announced, sophomore album.

At time of writing, little is known about what to expect from the new release, although more details are set to be shared shortly.

‘City Lights’ also arrives just one day before The WAEVE are set to play a sold-out show at London’s Hoxton Hall (May 3), and a series of live performances throughout the summer.

The dates include support slots for Elbow, which include gigs in London, Birmingham, Manchester and more, as well as a run of festival appearances at Green Man, Isle of Wight and others.

Check out a full list of upcoming gigs below, and visit here for remaining tickets.

THE WAEVE’s upcoming tour dates are:

MAY
3 – London’s Hoxton Hall 
7 – Brighton Centre (supporting Elbow)
9 – London’s The O2 (supporting Elbow)
10 – Birmingham Resorts World Arena (supporting Elbow)
11 – Glasgow’s OVO Hydro (supporting Elbow)
12 – Leeds First Direct Arena (supporting Elbow)
14 – Manchester Co-op Live (supporting Elbow)
15 – Nottingham Motorpoint Arena (supporting Elbow)

JUNE
23 – Isle Of Wight Festival
30 – Bristol Sounds (supporting The Breeders)

JULY
21 – Warwick Castle (supporting Noel Gallagher)

AUGUST
17 – Green Man Festival

Back in September 2022, THE WAEVE spoke to NME about their then-newly-announced project, and the former Blur guitarist-turned-solo star and the former Pipettes member-turned-Mark Ronson collaborator and singer-songwriter opened up about how they landed on their sound.

In the interview, Coxon explained how the two of them share “extremely wide and varied tastes in music”, but sought to fill one another’s “gaps in their musical education”.

“They were probably good gaps for her – a big Van der Graaf Generator and King Crimson gap – and maybe a couple of other jazzy gaps,” he recalled. “There were also some gaps in mine that are now filled with some very tasteful music!” Check out the NME interview in full above.

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Tributes paid to rock’n’roll legend and “king of twang” Duane Eddy, who has died age 86

The Kink’s Dave Davies, Mick Fleetwood and more have paid their respects

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NME

Pioneering rock’n’roll legend and the “king of twang” Duane Eddy has died at the age of 86.

Per a report from the BBC, Eddy’s widow Deed Abbate revealed that the legendary musician had succumbed to cancer on April 30, and that he was surrounding by his family.

“Duane inspired a generation of guitarists the world over with his unmistakeable signature ‘Twang’ sound. He was the first rock and roll guitar god, a truly humble and incredible human being. He will be sorely missed,” a rep said in a statement to Variety.

Duane Eddy, who had enjoyed a career spanning over six decades, is best known for hits such as ‘Rebel Rouser’, the titular theme song for the hit TV series Peter Gunn, ‘Forty Miles of Bad Road’ and ‘Because They’re Young’ among various others.

Eddy began learning guitar on his own at the age of five after moving to Phoenix, Arizona. As a teen, he met producer Lee Hazlewood who co-wrote and produced some of the guitarist’s early hits, like 1957’s ‘Moovin and Groovin’ and 1958’s ‘Rebel Rouser’.

Duane Eddy. Credit: Michael Ochs Archives/Getty Images

Over the course of his career, Eddy had become known for the “twang” sound that he pioneered on the guitar. In a 1986 interview with The Associated Press, he said of the “twang”: “I had a distinctive sound that people could recognize and I stuck pretty much with that. I’m not one of the best technical players by any means; I just sell the best. It’s a silly name for a nonsilly thing. But it has haunted me for 35 years now, so it’s almost like sentimental value — if nothing else.”

Despite not singing, Duane Eddy clinched a whopping 16 hits in the Top 40s between the late 1950s and ’60s, going up against other musicians like Elvis Presley. Eddy was also said to be a big influence on The BeatlesPaul McCartney and George Harrison and other guitar heroes include Bruce Springsteen.

In 1987, Eddy released a self-titled album – his first record in 20 years – featuring guest appearances from music greats like McCartney, Harrison, John Fogerty, Jeff Lynne, Steve Cropper and many more. That year, he also performed on Paul McCartney’s ‘Rockestra Theme’.

He was inducted into the Rock and Roll Hall of Fame in 1994.

Following the news of his passing, several musicians have paid tribute to the late Duane Eddy. Mick Fleetwood wrote: “Yesterday in my studio I said this riff needs to sound like Duane Eddy! As I picked up my Gretsch white falcon guitar! Saddened of the passing of this understated man who had talents more than most knew. Grateful for learning to play drums listening to his music.”

The Kinks‘ Dave Davies wrote: “I’m in shock. Duane Eddy was one of my most important influences. He was so important in so many ways.”

Nancy Sinatra wrote: “Duane Eddy and I were friends for nearly 60 years and I am heartbroken over his passing… Farewell, old friend, godspeed and stay cool.”

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Here’s what Foo Fighters played as they kicked off 2024 world tour

The band began their current run of shows with a hit-filled set in Dallas

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NME

Foo Fighters kicked off their 2024 world tour in Dallas, Texas last night (May 1) – watch fan-shot footage and see the full setlist below.

The band played a 23-track set at the Dos Equis Pavilion amphitheatre on the first stop of their ‘Everything Or Nothing At All’ tour. To begin the show, Dave Grohl and co. delivered a performance of ‘Bridge Burning’ from their 2011 album ‘Wasting Light’.

They followed it up with a run of ‘No Son Of Mine’, ‘Rescued’, ‘The Pretender’, ‘Times Like These’, ‘La Dee Da’, ‘Breakout’, ‘Medicine At Midnight’ and ‘Walk’.

The second half of the gig boasted airings of classics such as ‘My Hero’, ‘Learn To Fly’, ‘All My Life’, ‘Monkey Wrench’ and ‘Best Of You’, as well as songs like ‘Arlandria’, ‘These Days’, ‘Shame Shame’ and ‘The Glass’.

For the two-track encore, Foo Fighters played ‘The Teacher’ from their 2023 album ‘But Here We Are’ before closing out the night with ‘Everlong’. The group took to the stage following an opening slot from Nova Twins.

See a selection of videos here:

 

Foo Fighters played:

‘Bridge Burning’
‘No Son Of Mine’
‘Rescued’
‘The Pretender’
‘Times Like These’
‘La Dee Da’
‘Breakout’
‘Medicine At Midnight’
‘Walk’
(Guitar Solo / Sabotage / Keyboard Solo / ‘Blitzkrieg Bop’ / ‘The Outsider’ / ‘Whip It’ / ‘March Of The Pigs’)
‘My Hero’
‘The Sky Is A Neighborhood’
‘Learn To Fly’
‘Arlandria’
‘These Days’
‘Shame Shame’
‘All My Life’
‘Nothing At All’
‘The Glass’
‘Monkey Wrench’

‘Aurora’
‘Best Of You’

Encore:
‘The Teacher’
‘Everlong’

Foo Fighters are set to return to the UK next month for huge stadium shows in Manchester, Glasgow, London, Cardiff and Birmingham. Support will come from the likes of Wet LegCourtney Barnett and Shame.

You can see the full list of UK dates below, and find any remaining tickets here.

Foo Fighters’ 2024 UK tour dates are:

JUNE
13 – Emirates Old Trafford Stadium, Manchester
15 – Emirates Old Trafford Stadium, Manchester 

17 – Hampden Stadium, Glasgow
20 – London Stadium, London 
22 – London Stadium, London 
25  – Principality Stadium, Cardiff
27 – Villa Park Stadium, Birmingham 

In other news, new Foo Fighters drummer Josh Freese has recalled the unexpected moment Dave Grohl asked him to join the band.

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Longtime Electric Light Orchestra keyboardist Richard Tandy has died, aged 76

Tandy had been a member of the band on three separate occasions between 1972 and 2014

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NME

Richard Tandy, the longtime keyboardist for Electric Light Orchestra (ELO), has died at the age of 76.

Tandy’s former bandmate and the founder of ELO Jeff Lynne broke the news on social media on Wednesday night (May 1), writing: “It is with great sadness that I share the news of the pass of my long-time collaborator and dear friend Richard Tandy. He was a remarkable musician & friend and I’ll cherish the lifetime of memories we had together.”

A cause of death has yet to be revealed.

Tandy joined Electric Light Orchestra after the release of the band’s debut album in 1972. He had initially played bass guitar in the band but soon became the group’s permanent keyboardist.

Through ever-changing line-ups, Tandy remained a core member with Lynne and ELO drummer Bev Bevan until the band’s split in 1986. Tandy was the only other longtime member of the group besides Lynne to participate in the band’s reunion in the 2000s, and was inducted into the Rock & Roll Hall of Fame with Electric Light Orchestra in 2017. Tandy’s tenure with ELO run from 1972 until 1896, 2000 until 2001 for the band’s reunion and finally between 2014 and 2017.

Richard Tandy is perhaps best known for his contributions on several of ELO’s biggest hits which have gone on to become classics such as ‘Mr. Blue Sky’, ‘Xanadu’ with Olivia Newton-John, ‘Evil Woman’, ‘Telephone Line’, ‘Strange Magic’ and more.

Lynne and Tandy had also also collaborated on non-ELO projects, including the Electric Dreams soundtrack. In 2015, Lynne and Tandy performed with Ed Sheeran at the 57th Grammy Awards, playing ‘Evil Woman’ and ‘Mr. Blue Sky’.

In 1985, Tandy formed the Tandy Morgan Band with Dave Morgan and Martin Smith, both of whom were touring members for ELO. In 1985, the Tandy Morgan Band released the concept album ‘Earthrise’.

Following the news of Richard Tandy’s death, the Rock & Roll Hall of Fame has paid tribute to the late keyboardist.

“Keyboardist Richard Tandy was an integral part of the sound of 2017 inductees Electric Light Orchestra,” the Rock Hall wrote on X. “Playing a range of keyboard instruments, his riffs provided the foundation for hits like ‘Mr. Blue Sky’ and ‘Evil Woman’. Tandy was crucial in ELO’s creation of a realm where rock and classical music could exist together.”

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Longtime Electric Light Orchestra keyboardist Richard Tandy has died, aged 76

Tandy had been a member of the band on three separate occasions between 1972 and 2014

The post Longtime Electric Light Orchestra keyboardist Richard Tandy has died, aged 76 appeared first on NME.

NME

Richard Tandy, the longtime keyboardist for Electric Light Orchestra (ELO), has died at the age of 76.

Tandy’s former bandmate and the founder of ELO Jeff Lynne broke the news on social media on Wednesday night (May 1), writing: “It is with great sadness that I share the news of the pass of my long-time collaborator and dear friend Richard Tandy. He was a remarkable musician & friend and I’ll cherish the lifetime of memories we had together.”

A cause of death has yet to be revealed.

Tandy joined Electric Light Orchestra after the release of the band’s debut album in 1972. He had initially played bass guitar in the band but soon became the group’s permanent keyboardist.

Through ever-changing line-ups, Tandy remained a core member with Lynne and ELO drummer Bev Bevan until the band’s split in 1986. Tandy was the only other longtime member of the group besides Lynne to participate in the band’s reunion in the 2000s, and was inducted into the Rock & Roll Hall of Fame with Electric Light Orchestra in 2017. Tandy’s tenure with ELO run from 1972 until 1896, 2000 until 2001 for the band’s reunion and finally between 2014 and 2017.

Richard Tandy is perhaps best known for his contributions on several of ELO’s biggest hits which have gone on to become classics such as ‘Mr. Blue Sky’, ‘Xanadu’ with Olivia Newton-John, ‘Evil Woman’, ‘Telephone Line’, ‘Strange Magic’ and more.

Lynne and Tandy had also also collaborated on non-ELO projects, including the Electric Dreams soundtrack. In 2015, Lynne and Tandy performed with Ed Sheeran at the 57th Grammy Awards, playing ‘Evil Woman’ and ‘Mr. Blue Sky’.

In 1985, Tandy formed the Tandy Morgan Band with Dave Morgan and Martin Smith, both of whom were touring members for ELO. In 1985, the Tandy Morgan Band released the concept album ‘Earthrise’.

Following the news of Richard Tandy’s death, the Rock & Roll Hall of Fame has paid tribute to the late keyboardist.

“Keyboardist Richard Tandy was an integral part of the sound of 2017 inductees Electric Light Orchestra,” the Rock Hall wrote on X. “Playing a range of keyboard instruments, his riffs provided the foundation for hits like ‘Mr. Blue Sky’ and ‘Evil Woman’. Tandy was crucial in ELO’s creation of a realm where rock and classical music could exist together.”

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Ozzy Osbourne says he wants to win an Oscar

“Elton John’s got one for a song”

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NME

Ozzy Osbourne has revealed the one accolade he still wants to win.

On the latest episode of Ozzy’s SiriusXM program Ozzy Speaks, the former Black Sabbath frontman was asked about what he has yet to achieve in his long and illustrious career. Now that he’s soon to be inducted into the Rock & Roll Hall of Fame as a solo act, there’s just one thing left that Ozzy has yet to win: an Oscar.

“You’ve got to fucking be in a movie to win an Oscar,” co-host Billy Morrison replied while laughing. “Well, you asked me what I haven’t won,” the Prince of Darkness fired back. Osbourne was quick to stand his ground, pointing out that other musicians have won Oscars despite not acting in a film: “Elton John‘s got one for a song”.

Elsewhere in the chat, Osbourne shared that he’d “like to do a fucking gig without falling over” and that “one fucking surgeon” is “taking his time” with clearing Ozzy for performances.

Osbourne had previously said that he would love to play live again but still struggles to “stand up right”. “Maybe I’ll do something one day. I miss it terribly,” he said.

Ozzy said last November that he had to “accept the fact” that a live return may not be possible owing to his ongoing health issues, including Parkinson’s disease and a recovery from multiple surgeries.

This January, however, Sharon revealed that Ozzy was planning “two more shows to say goodbye” before he fully retires from performing.

Ozzy Osbourne recently said he was “dying to make more music” with producer Andrew Watt. The pair worked together on the star’s latest two albums, 2020’s ‘Ordinary Man’ and 2022’s ‘Patient Number 9’.

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Willow premieres funky new track ‘Run!’ during ‘Tiny Desk’ performance

She will release her new album ‘Empathogen’ this weekend

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NME

Willow has premiered a new track, ‘Run!’, live during her recent performance for NPR’s Tiny Desk – watch the performance below.

For the penultimate track of her five-song performance, Willow pulled out a brand new track without introduction. Titled ‘Run!’, the track is due to appear on her upcoming sixth studio album, ‘Empathogen’.

‘Run!’ kicks off with whispery vocals that build into a frantic funk tune, led predominantly by groovy bass lines and supporting percussion, guitars and keys. Towards the end of the track, Willow and her backing band slow things down to an almost meditative tempo.

Watch Willow perform ‘Run!’ as part of her Tiny Desk debut below.

Elsewhere during her performance, Willow also performed two other tracks from the upcoming record – ‘Symptom Of Life’ and ‘Big Feelings’. She also played ‘Split’ and ‘Wait a Minute’.

Willow’s sixth album, ‘Empathogen’, is set for release on Friday, May 3 and is available for pre-order/pre-save. The album has been previewed by its two lead singles ‘Symptom Of Life’ and ‘Big Feelings’. ‘Empathogen’ will see Willow collaborate with Jon Batiste on ‘Home’ as well as St. Vincent on ‘Pain For Fun’.

The LP will follow 2022’s ‘COPINGMECHANISM’. In a four-star review of the album, NME shared: “Over a relatively small number of tracks compared to some of the bloated albums that get released today, WILLOW has opted for quality over quantity once again.”

It continued: “However, despite utilising a similar premise as on her last album by plucking her feelings away on a guitar, ‘<COPINGMECHANISM>’ is still an important record in her musical progression. In the poetic and thoughtful nature of it, as well as the odd glimpse of where she could go next, WILLOW’s fifth record should be noted as her breaking sonically mature new ground.”

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Duane Eddy, Rock & Roll Hall of Fame Guitarist, Dead at 86

He scored massive hits with instrumental songs like “Rebel-‘Rouser,” “Peter Gunn,” and “Because They’re Young.”

Duane Eddy, Rock & Roll Hall of Fame Guitarist, Dead at 86
Spencer Kaufman

Consequence

Duane Eddy, the legendary guitarist who was inducted into the Rock & Roll Hall of Fame in 1994, has passed away at the age of 86. He died of cancer on Tuesday (April 30th), surrounded by family members at Williamson Health hospital in Franklin, Tennessee. Eddy is considered the most…

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